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A study of the generation of French, German, English, Spanish, and Italian young men who fought in World War I.
A study of the generation of French, German, English, Spanish, and Italian young men who fought in World War I.
A prize-winning historian offers an exhilarating book--the first cultural history of the pioneering phase of aviation--which tells the stories of the artists, writers, and intellectuals whose imaginations were captured by the power of flight. Over 300 illustrations, some in color.
In order to distinguish between those who may and may not enter or leave, states everywhere have developed extensive systems of identification, central to which is the passport. This innovative book argues that documents such as passports, internal passports and related mechanisms have been crucial in making distinctions between citizens and non-citizens. It examines how the concept of citizenship has been used to delineate rights and penalties regarding property, liberty, taxes and welfare. It focuses on the US and Western Europe, moving from revolutionary France to the Napoleonic era, the American Civil War, the British industrial revolution, pre-World War I Italy, the reign of Germany's Third Reich and beyond. This innovative study combines theory and empirical data in questioning how and why states have established the exclusive right to authorize and regulate the movement of people.
In the decades following the First World War, when aviation was still a revelation, flight was perceived as a spectacle to delight the eyes and stimulate the imagination. Historian Robert Wohl takes us back to this time, recapturing the achievements of pioneering aviators and exploring flight as a source of cultural inspiration in the United States and Europe. Wohl begins the story of flight in this era with a fresh account of the impact of Charles Lindbergh's dramatic New York-Paris flight, then goes on to explain how Mussolini identified his Fascist regime with the modernist cachet of aviation. Wohl shows how the Hollywood film industry--drawing on the talents of such director-flyers as Wi...
From historian Wohl comes an extraordinary account of the development of aviation and the heroism, romance, adventure, and shattered dreams that followed. Archival photos.
Barbara Tuchman's The Proud Tower is a haunting account of Britain on the cusp of total war - reissued for the 2014 Centenary. The last government in the Western world to possess all the attributes of aristocracy in working condition took office in England in June of 1895 . . . In this now classic work, Pulitzer prize-winning historian Barbara Tuchman explores the quarter century leading up to the First World War, from the dying embers of the British aristocracy to the fitful eruptions of the anarchist movement. She provides a compelling portrait of the key figures and conflicting ideologies of this time, giving an intimate view of an epoch that was soon to be swept away by the tide of histo...
John Hazlett's engaging study of writers from the 1960s demonstrates the ways in which the idea of the generation has affected autobiographical writing in this century. Autobiographers from the sixties claim to speak on behalf of all members of their generation. However, each writer presents a unique political and personal agenda.
Many books have sought to introduce the writings of the infamous and influential philosopher, Friedrich Nietzsche, but Get Over Yourself puts matters the other way round. Rather than simply explaining his thought, it instead asks: what would Nietzsche make of us? What would he think of our 21st-century, digital age? In our time of identity politics, therapy culture, 'safe spaces', religious fundamentalism, virtue-signalling, Twitterstorms, public emoting, 'dumbing-down', digital addiction and the politics of envy, the book introduces Nietzsche by putting the man in our shoes. Get Over Yourself both uses Nietzsche's philosophy to understand our society, and takes our society to explain his philosophy.
"Few books on European history in recent memory have caused such controversy and commotion," wrote Robert Wohl in 1991 in a major review of Neither Right nor Left. Listed by Le Monde as one of the forty most important books published in France during the 1980s, this explosive work asserts that fascism was an important part of the mainstream of European history, not just a temporary development in Germany and Italy but a significant aspect of French culture as well. Neither right nor left, fascism united antibourgeois, antiliberal nationalism, and revolutionary syndicalist thought, each of which joined in reflecting the political culture inherited from eighteenth-century France. From the first, Sternhell's argument generated strong feelings among people who wished to forget the Vichy years, and his themes drew enormous public attention in 1994, as Paul Touvier was condemned for crimes against humanity and a new biography probed President Mitterand's Vichy connections. The author's new preface speaks to the debates of 1994 and reinforces the necessity of acknowledging the past, as President Chirac has recently done on France's behalf.