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Graffiti from the Basilica in the Agora of Smyrna
Isopsephisms of Desire (Roger Bagnall) -- Word-Play: Word Squares and Riddles (Roger Bagnall) -- The Graffiti: Descriptions, Texts, Translations, and Notes -- Bibliography -- Index of Greek Words -- Index of Subjects and Motifs of Drawings -- General Index -- Concordance of Publication Numbers with Supplementum Epigraphicum Graecum 61 -- Concordance of Numbers of Bays and Piers
Romance and Reason
Catalog of an exhibition held at the Institute for the Study of the Ancient World from February 14, 2018-May 13, 2018.
From Ancient to Modern
Catalog of an exhibition held at the Institute for the Study of the Ancient World at New York University, New York, February 12-June 7, 2015.
Amheida II
This archaeological report provides a comprehensive study of the excavations carried out at Amheida House B2 in Egypt's Dakhleh Oasis between 2005 and 2007, followed by three study seasons between 2008 and 2010. The excavations at Amheida in Egypt's western desert, begun in 2001 under the aegis of Columbia University and sponsored by NYU since 2008, are investigating all aspects of social life and material culture at the administrative center of ancient Trimithis. The excavations so far have focused on three areas of this very large site: a centrally located upper-class fourth-century AD house with wall paintings, an adjoining school, and underlying remains of a Roman bath complex; a more mo...
Early Christianity at Amheida (Egypt’s Dakhla Oasis), A Fourth-Century Church
An archaeological, historical, and art historical study of a remarkable early church excavated at Amheida in Egypt's Dakhla Oasis Early Christianity at Amheida (Egypt’s Dakhla Oasis): A Fourth-Century Church. Volume 1: The Excavations is an archaeological, historical, and art historical study of a remarkable basilica-church excavated at Amheida in Dakhla Oasis. This church, excavated between 2012 and 2023, dates to the fourth century CE and therefore is among the earliest purpose-built churches in Egypt. It also contains one of the oldest, if not the oldest, excavated Christian funerary crypts in the country. The church at Amheida thus offers a wealth of new data on early Christianity in Egypt, particularly with respect to the earliest phases of Christian art and architecture and burial customs. Aravecchia presents a systematic treatment of the stratigraphy, building techniques, materials, features, architecture, decoration, and finds of the church, carefully contextualized in contemporary developments in early Christianity in the late antique Great Oasis and Egypt more broadly.
Ancient Christians and the Power of Curses
Ancient Christians and their non-Christian contemporaries lived in a world of 'magic.' Sometimes, they used curses as ritual objects to seek justice from gods and other beings; sometimes, they argued against them. Curses, and the writings of those who polemicized against curses, reveal the complexity of ancient Mediterranean religions, in which materiality, poetics, song, incantation, and glossolalia were used as technologies of power. Laura Nasrallah's study reframes the field of religion, the study of the Roman imperial period, and the investigation of the New Testament and ancient Christianity. Her approach eschews disciplinary aesthetics that privilege the literature and archaeological remains of elites, and that defines curses as magical materials, separable from religious ritual. Moreover, Nasrallah's imaginative use of art and 'research creations' of contemporary Black painters, sculptors, and poets offer insights for understanding how ancient ritual materials embedded into art work intervene into the present moment and critique injustice.
Afterlives of Ancient Rock-cut Monuments in the Near East
This book concerns the ancient rock-cut monuments carved throughout the Near East, paying particular attention to the fate of these monuments in the centuries after their initial production. As parts of the landscapes in which they were carved, they acquired new meanings in the cultural memory of the people living around them. The volume joins numerous recent studies on the reception of historical texts and artefacts, exploring the peculiar affordances of these long-lasting and often salient monuments. The volume gathers articles by archeologists, art historians, and philologists, covering the entire Near East, from Iran to Lebanon and from Turkey to Egypt. It also analyzes long-lasting textual traditions that aim to explain the origins and meaning of rock-cut monuments and other related carvings.
The House of Serenos, Part I
A comprehensive archaeological study of the ceramic finds from a house in Amheida The House of Serenos: Part I: The Pottery (Amheida V) is a comprehensive full-color catalog and analysis of the ceramic finds from the late antique house of a local notable and adjacent streets in Amheida. It is the fifth book in the Amheida series. Amheida is located in the western part of the Dakhla oasis, 3.5 km south of the medieval town of El-Qasr. Known in Hellenistic and Roman times as Trimithis, Amheida became a polis by 304 CE and was a major administrative center of the western part of the oasis for the whole of the fourth century. The home’s owner was one Serenos, a member of the municipal elite an...
The House of Serenos, Part II
"This book is one of several devoted to publishing the archaeology of the large house now known as the "House of Serenos" (or more technically as B(uilding) 1 in Area 2.1) of Amheida, the ancient Roman city of Trimithis in the Dakhla Oasis of the Western Desert of Egypt, administratively today part of the New Valley Governorate. Amheida V published the analysis and catalogue of the pottery (published by ISAW, August 2020); Amheida VII will contain the analysis and catalogue of the small finds from B1; and a subsequent volume in the Amheida series will record and analyze the extensive paintings and decorations of B1. The present volume synthesizes the detailed archaeology information presente...
Out of Bounds
Where are the limits of medieval art as a field of study? What happens when conventionally trained art historians disregard the chronological, geographical, or cultural parameters that both direct and protect their scholarship? Beginning with Thelma K. Thomas and Alicia Walker’s acute assessment of the need for a “medieval art history for now,” the essays in Out of Bounds ask what happens when the study of medieval art disregards boundaries that it once obeyed. The volume focuses on questions surrounding the production of knowledge and on how scholarly investigation beyond the conventional thematic boundaries of medieval art history is changing, demonstrating how the field can address ...
