Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
La Meri and Her Life in Dance
This intriguing biography details the life and work of world dance pioneer La Meri (1899–1988). An American dancer, choreographer, teacher, and writer, La Meri was ahead of her time in championing cross-cultural dance performances and education, yet she is almost totally forgotten today. In La Meri and Her Life in Dance, Nancy Ruyter introduces readers to a visionary artist who played a pivotal role in dance history. Born in Texas as Russell Meriwether Hughes, La Meri toured throughout Latin America, Europe, Asia, the Pacific, and the United States in the 1920s and ’30s, immersing herself in different dance traditions at a time when few American dancers explored styles outside their own....
Pavlova
Pavlova's life was her art. When Pavlova first appeared at the Metropolitan Opera House in 1910, ballet in America was such a novelty that the Met declined to sanction an entire evening of dance. Her Metropolitan début, as Swanilda in "Coppélia", took place after a Massenet opera and the departure of a third of the audience. Nonetheless, she scored a triumph. Form 1912 until 1931, Pavlova toured the world, gaining an international reputation of unparalleled magnitude and performing unceasingly to enthusiastic receptions. From Pavlova's vast repertoire the Lazzarinis document some ninety of her roles. By presenting their extraordinary collection of photographs in chronological sequence, they give a vivid record of the evolution of Pavlova's artistry and of the progress of a life spent on the stages of the world. From the first photograph of Pavlova as a pupil in 1892, to what is probably the last stage shot taken in 1930, two months before her death, "Pavlova" is the most detailed and comprehensive account of her career eve rpublished. -- From publisher's descirption.
Dance of the Swan
Born in St. Petersburg, Russia, in 1881, Anna Pavlova grew up dreaming of becoming a prima ballerina. Throughout her lifetime, Anna inspired and encouraged people around the world with her exceptionally graceful and expressive dance. Believing that expressing beauty is essential to the human spirit, Anna strove to help audiences discover the soaring beauty that could uplift their spirits.
Dance on Its Own Terms
Dance on its Own Terms: Histories and Methodologies anthologizes a wide range of subjects examined from dance-centered methodologies: modes of research that are emergent, based in relevant systems of movement analysis, use primary sources, and rely on critical, informed observation of movement. The anthology fills a gap in current scholarship by emphasizing dance history and core disciplinary knowledge rather than theories imported from disciplines outside dance. Individual chapters serve as case studies that are further organized into three categories of significant dance activity: performance and reconstruction, pedagogy and choreographic process, and notational and other written forms that analyze and document dance. The breadth of the content reflects the richness and vibrancy of the dance field; each deeply informed examination serves as a window opening onto the larger world of dance. Conceptually, each chapter also raises concerns and questions that point to broadly inclusive methodological applications. Engaging and insightful, Dance on its Own Terms represents a major contribution to research on dance.
Reader's Guide to Women's Studies
The Reader's Guide to Women's Studies is a searching and analytical description of the most prominent and influential works written in the now universal field of women's studies. Some 200 scholars have contributed to the project which adopts a multi-layered approach allowing for comprehensive treatment of its subject matter. Entries range from very broad themes such as "Health: General Works" to entries on specific individuals or more focused topics such as "Doctors."
American Sculpture in the Metropolitan Museum of Art: A catalogue of works by artists born between 1865 and 1885
Volume One: This volume catalogues the distinguished and comprehensive collection of approximately 400 works of American sculpture by artists born before 1865. This publication includes an introduction on the history of the collection's formation, particularly in the context of the Museum's early years of acquisitions, and discusses the outstanding personalities involved. --Metropolitan Museum of Art website.
Body Knowledge
This book traces the deployment of intermedial aesthetics in the works of early twentieth-century female performers. By destabilizing medial and genre boundaries, these women created compelling and meaningful performances that negotiated turn-of-the-century American social and cultural issues.
On Stage Alone
Soloists ignited the modern dance movement and have been a source of its constant renewal. Pioneering dancers such as Loïe Fuller, Isadora Duncan, Ruth St. Denis, and Maud Allan embodied the abstraction and individuality of the larger modernist movement while making astounding contributions to their art. Nevertheless, solo dancers have received far less attention in the literature than have performers and choreographers associated with large companies. In On Stage Alone, editors Claudia Gitelman and Barbara Palfy take an international approach to the solo dance performance. The essays in this standout volume broaden the dance canon by bringing to light modern dance soloists from Europe, Asi...
The Plays of W. B. Yeats
This book investigates Yeats's experiments with the media of language and dance in his plays. He was allied to other artists of the 1890s in his fascination with the biblical dancer Salome and in his preoccupation with things Japanese, particularly 'Noh' Theatre with its central dance. The impact of Diaghliev's Ballets Russes also played its part in influencing Yeats's drama, and his interest in the 'dance-as-meaning' debate places him firmly not only in his time but also in our own.
