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Italy’s Eighteenth Century
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
Florence and its University during the Early Renaissance
This book makes a substantial contribution to the study of Florentine history. It answers an important but hitherto unresolved question: why did the Florentine Republic keep a university in its capital city between 1385 and 1473 rather than follow the example of other Italian states in maintaining a university in a subject town? Based on a wide range of newly-found sources, it discloses that the University owed its survival to the support of the Florentine elite, especially the Medici family and its followers. It reveals systematically the close ties between the University and major developments in the social, economic, political, ecclesiastical, and cultural life of Florence and Florentine Tuscany. The appendices fill some of the greatest gaps in our knowledge of the University, identifying administrators, students, examiners, and teachers.
Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence
To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they ...
Dynastic Identity in Early Modern Europe
Aristocratic dynasties have long been regarded as fundamental to the development of early modern society and government. Yet recent work by political historians has increasingly questioned the dominant role of ruling families in state formation, underlining instead the continued importance and independence of individuals. In order to take a fresh look at the subject, this volume provides a broad discussion on the formation of dynastic identities in relationship to the lineage’s own history, other families within the social elite, and the ruling dynasty. Individual chapters consider the dynastic identity of a wide range of European aristocratic families including the CroÃs, Arenbergs and N...
A Fake Saint and the True Church
A Fake Saint and the True Church offers the remarkable story of a fake saint to contemplate the meaning of truth. It follows the efforts made by the supposed saint's (real) seventeenth-century descendant to promote his cult in Naples and Rome. This story reminds us that distinguishing the true from the false is a matter of commitment and belief, not simply research ability. Compared with our early modern predecessors, we are more skilled at verifying facts and less willing to let supernatural truths regulate our behaviors. Yet, the relationship between truth and authenticity is still a challenge for us, as it was for them.
The Politics of Making Kinship
The long tradition of Western political thought included kinship in models of public order, but the social sciences excised it from theories of the state, public sphere, and democratic order. Kinship has, however, neither completely disappeared from the political cultures of the West nor played the determining social and political role ascribed to it elsewhere. Exploring the issues that arise once the divide between kinship and politics is no longer taken for granted, The Politics of Making Kinship demonstrates how political processes have shaped concepts of kinship over time and, conversely, how political projects have been shaped by specific understandings, idioms and uses of kinship. Taking vantage points from the post-Roman era to early modernity, and from colonial imperialism to the fall of the Berlin Wall and beyond this international set of scholars place kinship centerstage and reintegrate it with political theory.
Language and the Grand Tour
Language is still a relatively under-researched aspect of the Grand Tour. This book offers a comprehensive introduction enriched by the amusing stories and vivid quotations collected from travellers' writings, providing crucial insights into the rise of modern vernaculars and the standardisation of European languages.
Anticlericalism
In forty-one essays eminent historians of culture, religion, and social history redefine and redirect the debate regarding the scope and impact of European anticlericalism during the period 1300-1700. The meaning of reform and resentment is here clearly articulated.
Occult Imperium
Christian Giudice's Occult Imperium explores Italian national forms of occultism, chiefly analyzing Arturo Reghini (1878-1946), his copious writings, and Roman Traditionalism. Using Reghini's articles, books, and letters, as a guide, Giudice explores the interaction between Occultism, Traditionalism, and different facets of modernity in early-twentieth-century Italy. The book takes into consideration many factors particular to the Italian peninsula: the ties with avant-garde movements such as the Florentine Scapigliatura and Futurism, the occult vogues typical to Italy, the rise to power of Benito Mussolini and Fascism, and, lastly, the power of the Holy See over different expressions of spirituality.
Getty Research Journal, Number 5
The Getty Research Journal publishes the original research underway at the Getty and seeks to foster an environment of collaborative scholarship among art historians, museum curators, and conservators. Articles explore the collections of the J. Paul Getty Museum and Research Institute, as well as the annual themes and ongoing research projects of the Research Institute. Shorter texts highlight new acquisitions and discoveries, and focus on the diverse tools for scholarship being developed at the Getty. This issue features essays on early modern alchemy; portraits of the Orsini family; a decorative design for a Borghese palace; the Eruditi Italiani archive; the collecting habits of Louis-Phil...
