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Tekst in het Duits, Engels, Frans. Met biografie en bibliografie.
American Pop pioneer Jim Dine was asked by Los Angeles' Getty Museum in 2007 to produce the first contemporary project for the Getty Villa in Malibu by responding in some way to its renowned antiquities collection. Dine was drawn to the collection's ancient Greek sculptures and was given a room in the Villa for which he created three new monumental wood sculptures that he painted brightly in the Hellenistic tradition. Dine also wrote a long poem, which he installed alongside the sculptures, on the gallery wall. Jim Dine: Poet Singing (The Flowering Sheets) documents the entire process with photographs by Dine, Diana Michener and Gerhard Steidl. Jim Dine was born in Cincinnati, Ohio, in 1935. He came to prominence in New York in the 1960s with Happenings that he orchestrated along with Claes Oldenburg and Allan Kaprow.
A reissue of Joe Robert's 2015 release 'LSD Worldpeace.'
Richard Hamilton was the most influential British artist of his generation. Often described as 'the father of Pop art', he produced experimental and multilayered work in a range of media that both explored and crystallized the postwar world of consumer capitalism and popular culture in an attempt to 'get all of living' into his art. Seminal works such as his collage Just what is it that makes today's homes so different, so appealing? from 1956 and his silkscreen and related series based on a news photograph of Mick Jagger Swingeing London 67 came to define an era in which new commodities and technologies, mass production, mass media, and celebrity came to the fore, and challenged the hierarc...
Published on the occasion of Julien Nguyen's solo exhibition at Stuart Shave/Modern Art, London (18 May - 30 June 2018), this catalogue illustrates the 10 works in the exhibition in addition to twelve further paintings produced between 2013 and 2017.The setting for Julien Nguyen's new body of work is Biblical; each painting is composed through readymade scenes in which archetypal characters pose in some of the most archetypical scriptural tableaux.Mary's annunciation, or the flagellation, baptism, and resurrection of Christ; these are some of the narrated events that seamlessly merge with an art-historical framework of 15th century painting's perspectival studies of figures in space.But despite the fact that scenes of Nguyen's paintings are often traceable to these canonical references, his subjects themselves are distinctively of their own time. The relationship between these images and their objects is one of incarnation over iconography.Their spectators attentive, rather than absorbed. Perhaps most distinctively, included in his subjects, are the faces of the artist's own passions -- social inhabitants in a contemporary Los Angeles and loved ones playing God.
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