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In this comprehensive work, celebrated portraitist and teacher Robin Gillanders explores the subject in depth. Looking at all kinds of portraiture in both colour and black and white, he discusses how to set up the shot, how to pose the sitter, how to compose the photograph, how to light it, and ultimately how to give portraits real meaning.
Over a period of 90 days, Robin Gillanders journeyed throughout the Highlands of Scotland and Orkney in the spirit of Edwin Muir's Scottish Journey of 1934, photographing whoever and whatever he encountered. The journey was made in a campervan with the shower converted into a darkroom, so that film processing could take place 'on the road'. In the manner of itinerant photographers of the 19th and 20th centuries, he used a traditional large format camera and black and white film, the photographs, each with accompanying text, describe the journey and relate to specific issues facing the highlands today and draw comparison with Edwin Muir's highlands of 75 years ago. Edwin Muir became particula...
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The Hebrides of Scotland – around 500 diverse islands – form the north-western Atlantic fringe of Europe. This book surveys the cultural landscape of this dramatically beautiful, complex and conflicted area, with emphasis on what may be interpreted through aerial photography. Mobile maritime cultures flourished throughout the Hebrides from prehistoric times, including Mesolithic builders of wheelhouses, coracle-borne monastic travelers, Norse in longships and Lords of the Isles in birlinns. A prominent feature of the recent history of the Hebrides has been depopulation. The history and heartbreak of this phenomenon, experienced in differing degrees in rural areas throughout Europe from the mid-18th century, is clearly shown in aerial photographs and discussed by co-authors Angus and Patricia Macdonald. Today's Hebridean landscapes have been heavily modified by various forms of human land use; current land-management options and controversies are also explored in the context of photographs that draw attention to the various issues involved.
This new companion to Little Sparta tells the story of Ian Hamilton Finlay's extraordinary creation, exploring the underlying themes, and introducing and explaining the significance of the main elements and artworks in each part of the garden.
Beauty can be consoling, disturbing, sacred, profane; it can be exhilarating, appealing, inspiring, chilling. It can affect us in an unlimited variety of ways. Yet it is never viewed with indifference. In this Very Short Introduction the renowned philosopher Roger Scruton explores the concept of beauty, asking what makes an object - either in art, in nature, or the human form - beautiful, and examining how we can compare differing judgements of beauty when it is evident all around us that our tastes vary so widely. Is there a right judgement to be made about beauty? Is it right to say there is more beauty in a classical temple than a concrete office block, more in a Rembrandt than in last ye...
Drawing on the recent focus on spatial imagination in the humanities and social sciences, Poetry and Geography looks at the significance of space, place, and landscape in the works of British and Irish poets, offering interpretations of poems by Roy Fisher, R. S. Thomas, John Burnside, Thomas Kinsella, Jo Shapcott, and many others. Its fourteen essays collectively sketch a series of intersections between language and location, form and environment, and sound and space, exploring poetry's unique capacity to invigorate and expand our spatial vocabularies and the many relationships we have with the world around us.
Cultural Studies has evolved and continues to evolve primarily along regional lines. However uncomfortable this might be, the genie of British cultural studies cannot be returned to the bottle of history. Thus, national versions of cultural studies have arisen in a few African countries. This book engages two critical and seemingly contradictory tasks: i) to contribute to the development of cultural studies from the perspectives of African experiences and indigenous frames of reference; and ii) to examine these in terms of transnational trajectories of the field in ways that do not reduce them to one or other context. Much cultural studies remains concerned with Texts, often disconnected fro...
This is the first book to provide a full and coherent introduction to the photography of Victorian Scotland. The material has been structured and the topics organised, with appropriate illustrations, as both a readable narrative and a foundation text for
In this volume a range of distinguished contributors provide an original analysis of the book in Scotland during a period that has been until now greatly under-researched and little understood. The issues covered by this volume include the professionalisation of publishing, its scale, technological developments, the role of the state, including the library service, the institutional structure of the book in Scotland, industrial relations, union activity and organisation, women and the Scottish book, and the economics of publishing. Separate chapters cover Scottish publishing and literary culture, publishing genres, the art of print culture, distribution, and authors and readers. The volume also includes an innovative use of illustrative case studies.