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As anyone who has wielded a camera knows, photography has a unique relationship to chance. It also represents a struggle to reconcile aesthetic aspiration with a mechanical process. Robin Kelsey reveals how daring innovators expanded the aesthetic limits of photography in order to create art for a modern world.
"Archive Style successfully and beautifully reconciles, or rather intertwines, two viewpoints hitherto considered incompatible—the logic of the archive and the issue of individual style. Robin Kelsey shows, with great historical rigor, how the styles of illustrators Schott, O'Sullivan, and Jones emerged from the very necessities of survey work and from personal resistance to the social and political structures framing such work. Archive Style, visual history at its best, is a landmark study of nineteenth-century American visual and scientific culture."—François Brunet, Professor of American Art and Literature, Université Paris-Diderot-Paris 7, France "In this stunningly original book R...
In this volume, more than 20 leading scholars discuss the discipline, practice, historiography, and study of photography, from William Henry Fox Talbot to Louise Lawler, and reflect on the status of photography today.
Photography has a unique relationship to chance. Anyone who has wielded a camera has taken a picture ruined by an ill-timed blink or enhanced by an unexpected gesture or expression. Although this proneness to chance may amuse the casual photographer, Robin Kelsey points out that historically it has been a mixed blessing for those seeking to make photographic art. On the one hand, it has weakened the bond between maker and picture, calling into question what a photograph can be said to say. On the other hand, it has given photography an extraordinary capacity to represent the unpredictable dynamism of modern life. By delving into these matters, Photography and the Art of Chance transforms our...
Essays and interviews explore the work of Carrie Mae Weems and its place in the history of photography, African American art, and contemporary art. In this October Files volume, essays and interviews explore the work of the influential American artist Carrie Mae Weems—her invention and originality, the formal dimensions of her practice, and her importance to the history of photography and contemporary art. Since the 1980s, Weems (b. 1953) has challenged the status of the black female body within the complex social fabric of American society. Her photographic work, film, and performance investigate spaces that range from the American kitchen table to the nineteenth-century world of historic...
Photography played a critical role in conceptual art of the 1960s and 1970s, as artists turned to photography as both medium and subject matter. Light Years offers the first major survey of the key artists of this period who used photography to new and inventive ends. Whereas some employed photographic images to create slide projections, photographic canvases, and artists' books, others integrated them into sculptural assemblages and multimedia installations. This book highlights the work of acclaimed international artists such as Vito Acconci, John Baldessari, Mel Bochner, Sol LeWitt, Bruce Nauman, Giuseppe Penone, and Ed Ruscha. Matthew Witkovsky's essay provides the larger context for photography within conceptual art, a theme that is further elaborated in texts by Mark Godfrey, Anne Rorimer, and Joshua Shannon. An essay by Robin Kelsey focuses on the pioneering work of John Baldessari in which he explored the element of chance, and an essay by Giuliano Sergio illuminates the lesser-known work of Arte Povera, an Italian movement that sought to dismantle established conventions in both the making and presentation of art.
Selected as a book of the year 2017 by The Times and Sunday Times What is it about Adam and Eve’s story that fascinates us? What does it tell us about how our species lives, dies, works or has sex? The mythic tale of Adam and Eve has shaped conceptions of human origins and destiny for centuries. Stemming from a few verses in an ancient book, it became not just the foundation of three major world faiths, but has evolved through art, philosophy and science to serve as the mirror in which we seem to glimpse the whole, long history of our fears and desires. In a quest that begins at the dawn of time, Stephen Greenblatt takes us from ancient Babylonia to the forests of east Africa. We meet evolutionary biologists and fossilised ancestors; we grapple with morality and marriage in Milton’s Paradise Lost; and we decide if the Fall is the unvarnished truth or fictional allegory.
The Magazine of Photography and Ideas. As the United States navigates a political moment defined by the close of the Obama era and the rise of #BlackLivesMatter activism, Aperture magazine releases "Vision & Justice," a special issue guest edited by Sarah Lewis, the distinguished author and art historian, addressing the role of photography in the African American experience. "Vision & Justice" includes a wide span of photographic projects by such luminaries as Lyle Ashton Harris, Annie Leibovitz, Sally Mann, Jamel Shabazz, Lorna Simpson, Carrie Mae Weems and Deborah Willis, as well as the brilliant voices of an emerging generation―Devin Allen, Awol Erizku, LaToya Ruby Frazier, Deana Lawson...
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Introduces readers to the extensive and surprising ways in which they are connected to the natural world around them.