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Ecology and Popular Film
Ecology and Popular Film examines representations of nature in mainstream film while also looking at film itself as a form of nature writing. Considering a selection of mainstream movies that embrace a wide variety of environmental themes, from the Lumieres' Oil Wells of Baku (1896) to Al Gore's An Inconvenient Truth (2006), Murray and Heumann explore such themes as environmental politics, ecoterrorism, ecology and home, tragic and comic eco-heroes, the spectacular, and evolutionary narrative, in a manner that is both accessible and fun. Other films discussed include The River (1937), Soylent Green (1971), Pale Rider (1985), 28 Days Later (2002), and The Day After Tomorrow (2004). The book also includes a comprehensive filmography of films that deal with environmental themes and issues.
Gunfight at the Eco-Corral
Most film critics point to classic conflicts—good versus evil, right versus wrong, civilization versus savagery—as defining themes of the American Western. In this provocative examination of Westerns from Tumbleweeds (1925) to Rango (2011), Robin L. Murray and Joseph K. Heumann argue for a more expansive view that moves beyond traditional conflicts to encompass environmental themes and struggles. The environment, after all, is the fundamental stage for most western stories, from land rush dramas that pit “sod busters” against ranchers to conflicts between mining-town communities and corporations. Because environmental issues lie at the forefront of so many conflicts today, Murray and...
Monstrous Nature
Godzilla, a traditional natural monster and representation of cinema’s subgenre of natural attack, also provides a cautionary symbol of the dangerous consequences of mistreating the natural world—monstrous nature on the attack. Horror films such as Godzilla invite an exploration of the complexities of a monstrous nature that humanity both creates and embodies. Robin L. Murray and Joseph K. Heumann demonstrate how the horror film and its offshoots can often be understood in relation to a monstrous nature that has evolved either deliberately or by accident and that generates fear in humanity as both character and audience. This connection between fear and the natural world opens up possibi...
That's All Folks?
"Examines animated films in the cultural and historical context of environmental movements"--Provided by publisher.
Film, Environment, Comedy
This book explores the transformative power of comedy to help connect a wider audience to films that explore environmental concerns and issues. This book offers a space in which to explore the complex ways environmental comedies present their eco-arguments. With an organizational structure that reveals the evolution of both eco-comedy films and theoretical approaches, this book project aims to fill a gap in ecocinema scholarship. It does so by exploring three sections arranged to highlight the breadth of eco-comedy: I. Comic Genres and the Green World: Pastoral, Anti-Pastoral, and Post-Pastoral Visions; II. Laughter, Eco-Heroes, and Evolutionary Narratives of Consumption; and III. Environmen...
Eco-Teen Films
Illuminating the impacts of environmental disasters and climate crises globally, this book examines the experiences of teens grappling with eco-disasters and issues in films of the 21st century. With an emphasis on teen activism, international settings and filmmakers, and marginalized perspectives, this book showcases teens on film that are struggling with present and future everyday eco-disasters amplified by climate change. By highlighting and interrogating diverse genres of teen films in which young adults encounter, address, and battle environmental issues and calamities while also struggling with adolescent development, this book acknowledges the young adult point of view missing from m...
Ecocinema in the City
In Ecocinema in the City, Murray and Heumann argue that urban ecocinema both reveals and critiques visions of urban environmentalism. The book emphasizes the increasingly transformative power of nature in urban settings, explored in both documentaries and fictional films such as Children Underground, White Dog, Hatari! and Lives Worth Living. The first two sections—"Evolutionary Myths Under the City" and "Urban Eco-trauma"—take more traditional ecocinema approaches and emphasize the city as a dangerous constructed space. The last two sections—"Urban Nature and Interdependence" and "The Sustainable City"—however, bring to life the vibrant relationships between human and nonhuman nature. Ecocinema in the City provides a space to explore these relationships, revealing how ecocinema shows that both human and nonhuman nature can interact sustainably and thrive.
Complicating Articulation in Art Cinema
What is film criticism for? This book aims to answer this question It argues that art cinema's political effect is the result of indeterminacy and not character-centric meaning.
Arctic Cinemas
Arctic cinemas represent a noteworthy new subfield of film studies, and in the current era of unprecedented global warming, interest in the Arctic region and its cinematic portrayals has never been greater. Individually and collectively, films pertaining to Arctic inhabitants and experiences have substantially influenced viewer perceptions of the region throughout the world, often serving as blank slates for the fantasies and projections of individuals elsewhere with regard to its challenging landscape and perceived "otherworldliness." Written by a blend of academic scholars, artists, and filmmakers, this collection of essays provides a transnational overview of the variety of works--ranging from art films and documentaries to horror and road movies--that fall under the conceptual rubric of "Arctic cinemas," and examines their contributions to past and present perceptions of the Arctic. Theoretical and analytical approaches represented here include critical theory, cultural studies, ecocriticism, ethnography, gender studies, genre theory, historiography, and indigenous studies.
Traumatic Affect
Traumatic Affect examines the intersection of trauma theory and affect theory, two areas of crucial relevance to contemporary thought. While both fields continue to offer insights into individual and collective experience, exploring their nexus offers timely and necessary critiques of film, literature, art, culture and politics. This collection of essays by established and emerging thinkers considers the dynamic relations within and between affect and trauma. Varied in style and approach, this volume asks how the relational subject conceived by affect theory might bring into question certain presuppositions common to trauma theory and how the ethical imperatives of trauma might require a ret...
