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Textiles provide a visual history of a country's culture and crafting traditions in a way few other things can accomplish. In Textiles of Southeast Asia, Dr. Robyn Maxwell provides the definitive work on Southeast Asian textiles. Traditional textiles are one of the most widely collected and important categories of Southeast Asian art. Using an extensive range of locally produced raw materials and an astonishing array of techniques—including applique, weaving, batik and embroidery—the textiles of Southeast Asia are astonishing in their versatility and originality. Textiles are used to fashion everything from everyday clothing to sacred and ceremonial costumes, shrouds and wrapping cloths,...
Created from an extensive range of locally produced and imported raw materials, and designed using an astonishing number of techniques--including different types of appliqué, decorative weaving, tie-dying, batik, and embroidery--Southeast Asian textiles are used to fashion an extraordinary variety of objects, ranging from everyday clothing to sacred and ceremonial costumes. This authoritative study focuses on the interplay between indigenous Southeast Asian traditions and the external cultural forces that have been a crucial part of the historical development and changing nature of the region's textile traditions. Maxwell considers the various ways Southeast Asian textile artisans reacted to the new ideas and raw materials from outside regions. The social, cultural, and religious dimensions of this art, the factors that condition how people create textiles, the way these are used, and the meaning of motifs and symbol are explored in detail. Including examples of textiles--some in categories that have never before been published--this reference work is a valuable contribution to the field of ethnographic textiles.
Drawn from the National Gallery's extensive collection of silks, cottons, batiks, gold brocades, tie-dyes and embroideries, this book features some of the greatest surviving examples of traditional Indian and Indonesian textiles. Traversing the Indian Ocean via sailors and merchants, priests and warriors, these textiles feature Ramayana epics, elephant and camel processions, trading ships and floral designs. Sari to sarong documents the remarkable exchange of ideas, materials, design and imagery (royal and religious) which has occurred between the two great cultures of India and Indonesia.
For thousands of years across mainland and island Southeast Asia, the deification of significant ancestors and the veneration of spirits of nature has formed the basis of traditional beliefs. These beliefs are in turn the impetus for the creation of splendid and extraordinary works of art in fiber, stone, metal, wood, and clay--made to protect and give pleasure to the living, to honor the ancestors, and to secure safe passage for the human soul between this world and the afterlife. Life, Death and Magic provides an evocative overview of Southeast Asia's ancestral arts and culture, from prehistoric times to the twenty-first century. Beautifully designed, it is illustrated with works of art from countries and regions including Indonesia, the Philippines, Malaysia, Vietnam, Taiwan, East Timor, Brunei, Thailand, Cambodia, and southern China, drawn from museums around the world.
Just who are ‘the Malays’? This provocative study posesthe question and considers how and why the answers have changedover time, and from one region to another. Anthony Milner developsa sustained argument about ethnicity and identity in an historical,‘Malay’ context. The Malays is a comprehensiveexamination of the origins and development of Malay identity,ethnicity, and consciousness over the past five centuries. Covers the political, economic, and cultural development of theMalays Explores the Malay presence in Brunei, Singapore, Indonesia,Thailand, Cambodia, Sri Lanka, and South Africa, as well as themodern Malay show-state of Malaysia Offers diplomatic speculation about ways Malay ethnicity willdevelop and be challenged in the future
This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.
History of communism; festschrift in honor of 70th anniversary of Gunawan Mohamad.
Dwellings; Social life; Customs; Southeast asia; Oceania.
This collection of papers, the third in a series of volumes on the work of the Comparative Austronesian Project, explores indigenous Austronesian ideas of origin, ancestry and alliance and considers the comparative significance of these ideas in social practice. The papers examine social practice in a diverse range of societies extending from insular Southeast Asia to the islands of the Pacific.
The collection of Burmese art housed at the Denison Museum in Granville, Ohio, USA, includes more than 1,500 objects dating from the late first millennium AD through the twentieth century. While particularly strong on textiles originating with minority groups in Burma, it also showcases Buddha images, lacquer objects, works on paper, manuscripts, wood carvings, and pieces made from bronze, silver, and ivory. Eclectic Collecting is both a catalogue of the collection and a scholarly examination of Burmese art.