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Sonic Acts Academy 2018 Reader
Taking the form of a reader, this publication is both a playground and a radical syllabus. It presents artistic and theoretical practices that focus on experimental educational practices and the critical examination of knowledge production in the field of art. Among others it contains: a speculative essay of the on the role of museums from the year 2030 (by Nora Sternfeld); a mediation on composer and mathematician Catherine Christer Hennix; one episode from Nicole Hewitt’s project This Woman Is Called Jasna, a speculative history in nine instalments covering 20 years in the life of a woman from Vukovar who works at the International Criminal Tribunal for the former Yugoslavia in The Hague; an essay on the history of the container – the synecdoche of logistics – as part of a global system of capital by Charmaine Chua; research about sinkholes that have rapidly started appearing in the past decades on the shores of the Dead Sea by Sasha Litvintseva and Daniel Mann; and Aisteach, an imaginary archive of the Irish avant-garde curated by renowned sound artists Jennifer Walshe.
Sonic Acts Academy 2020 Magazine
Critical essays, interviews and visual interventions in this volume navigate the messy world of climate crisis and oppressive capitalism. Through various contributions, the magazine brings together different facets of diverse disciplines that imagine what (and for whom) a future worth living is. It pairs photographs, drawings, manuals, and film stills that highlight the strategies of visibility and mobilisation that art enables. The featured critical essays and rigorous discourse shift our attention towards listening to ecocide, humanity’s extractive relationship to the cosmos, and the damage sensed by more-than-human ensembles.
A Cultural History of the Avant-Garde in the Nordic Countries Since 1975
The Cultural History of the Avant-Garde in the Nordic Countries Since 1975 brings the series of cultural histories of the avant-garde in the Nordic countries up to the present. It discusses revisions and continuations of historical practices since 1975.
Experimenting the Human
An engaging argument about what experimental music can tell us about being human. In Experimenting the Human, G Douglas Barrett argues that experimental music speaks to the contemporary posthuman, a condition in which science and technology decenter human agency amid the uneven temporality of postwar global capitalism. Time moves forward for some during this period, while it seems to stand still or even move backward for others. Some say we’re already posthuman, while others endure the extended consequences of never having been considered fully human in the first place. Experimental music reflects on this state, Barrett contends, through its interdisciplinary involvements in postwar scienc...
Duchamp Is My Lawyer
In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard. In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation a...
MicroBionic: Radical Electronic Music and Sound Art in the 21st Century
Micro Bionic is an exciting survey of electronic music and sound art from cultural critic and mixed-media artist Thomas Bey William Bailey. This superior revised edition includes all of the original supplements neglected by the publishers of the first edition, including a full index, bibliography, additional notes / commentary and an updated discography. As the title suggests, the unifying theme of the book is that of musicians and sound artists taking bold leaps forward in spite of (or sometimes because of) their financial, technological, and social restrictions. Some symptoms of this condition include the gigantic discography amassed by the one-man project Merzbow, the drama of silence ena...
Resonances
A groundbreaking collection of essays, proposing new frameworks for the discussion of noise - from postpunk to showgaze and beyond.
Music and Digital Media
Anthropology has neglected the study of music and this needs to be redressed. This book sets out to show how and why. It does so by bringing music to the subfield of digital anthropology, arguing that digital anthropology has much to gain by expanding its horizons to music – becoming more interdisciplinary by reference to digital/media studies, music and sound studies. Music and Digital Media is the first comparative ethnographic study of the impact of digital media on music worldwide. It offers a radical and lucid new theoretical framework for understanding digital media through music, showing that music is today where the promises and problems of the ‘digital’ assume clamouring audib...
Structure and Synthesis
An anthology of pioneer sound artist Mark Fell's work charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music. In this extensive anthology, Mark Fell, a pioneering artist known for his sound installations and his musical work solo and as part of SND and Sensate Focus, assembles a collection of diverse materials charting his defiantly unorthodox thinking on time, structure, technology, and the relation between academic and popular electronic music. An amalgam of workbook and manifesto, featuring a collection of interleaved statements, diagrammatic scores, and instructional texts, Structure and Synthesis is a dir...
Paleogene Shallow Benthos of the Tethys, 1
Seznam literature o paleogenskih velikih foraminiferah, ki ga je v glavnem sestavil Johannes S. Pignatti, je zelo izčrpen seznam referenc o stratigrafiji, paleoekologiji, morfologiji in taksonomiji paleogenskih velikih foraminifer. Tovrstna literatura seže prav na začetek geološke znanosti in je mnogokrat raztresena v težko dostopnih in manj znanih publikacijah. Sedaj je ta velika količina podatkov, ki bi sicer ostali znani samo redkim specialistom, postala dostopna širši javnosti. Predstavlja nepogrešljivo orodje za vsakogar, ki se ukvarja s katerimkoli področjem geologije in paleontologije paleogena. Kamnine s paleogenskimi velikimi foraminiferami tvorijo marsikje pomembne kolektorje za nafto ali pa so v njih nahajališča drugih gospodarsko pomembnih surovin. Pričujoči seznam bo tako dobrodošel ne le akademskim raziskovalcem, temveč tudi tistim, ki se v praksi ukvarjajo z izkoriščanjem naravnih bogastev.
