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The Role of the Reader
Discusses the differences between "open" and "closed" texts, or, texts that actively involve the reader and texts that evoke a limited, predetermined response from the reader. -- Back cover.
Game Physics Engine Development
Physics is really important to game programmers who need to know how to add physical realism to their games. They need to take into account the laws of physics when creating a simulation or game engine, particularly in 3D computer graphics, for the purpose of making the effects appear more real to the observer or player.The game engine ne
Sport and Leisure in the Civilizing Process
How do figurational sociologists approach the subjects of sport and leisure? How does their approach differ from other approaches in the field? This major collection, edited by leading writers on sport and leisure, offers a superb introduction to the figurational sociology of sport and leisure. The distinctive features of the approach are clearly explained and contributors show how figurational sociology is applied in the analysis of concrete problems. However, the collection also gives space to critics of the figurational approach. Included here are contributions which claim that the approach is inaccurate, blinkered and irrelevant.
Pārāśarapraśna
None
Gladiators and Caesars
Describes the events and games held in the amphitheaters, cicuses, and theaters in ancient Rome.
A Question of Balance
Evaluates key aspects of the China-Taiwan military balance, including: how are the political dynamics of the cross-strait relationship changing, and how could those changes affect perceptions of the military balance? How effective might China's growing force of short-range ballistic missiles be in attacking key military targets on Taiwan, such as air bases? How have changes in Chinese military capabilities changed the likely outcome of a possible contest for air superiority over the strait and Taiwan itself? How can Taiwan be successfully defended against a Chinese invasion attempt?
Theatre and Metatheatre
The aim of this book is to explore the definition(s) of ‘theatre’ and ‘metatheatre’ that scholars use when studying the ancient Greek world. Although in modern languages their meaning is mostly straightforward, both concepts become problematical when applied to ancient reality. In fact, ‘theatre’ as well as ‘metatheatre’ are used in many different, sometimes even contradictory, ways by modern scholars. Through a series of papers examining questions related to ancient Greek theatre and dramatic performances of various genres the use of those two terms is problematized and put into question. Must ancient Greek theatre be reduced to what was performed in proper theatre-buildings...
