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This volume investigates Pacific collections held in Australian museums, art galleries and archives, and the diverse group of 19th and 20th century collectors responsible for their acquisition. The nineteen essays reveal varied personal and institutional motivations that eventually led to the conservation, preservation and exhibition in Australia of a remarkable archive of Pacific Island material objects, art and crafts, photographs and documents. Hunting the Collectors benchmarks the importance of Pacific Collections in Australia and is a timely contribution to the worldwide renaissance of interest in Oceanic arts and cultures. The essays suggest that the custodial role is not fixed and imm...
Barkcloth, or masi, is the traditional art form of the women of Vatulele Island. Its manufacture continues to flourish, even increase, while many other arts are declining, despite the fact that most of its functional roles have been usurped by Western cloth and paper. This book explores this apparent paradox and concludes that the reasons lie in the ability of its identity functions to buffer the effects of social stress. This is so for not only Vatuleleans but all Fijians. It is argued that the resultant strong indigenous demand has caused the efflorescence in barkcloth manufacture and use, contrary to the common assumption that the tourism market is the "savior" of art. This cultural vigor, however, has social costs that are explored here and weighed against its benefits. Rod Ewins locates a very local activity in both national and global contexts, historically, sociologically, and theoretically.
Tobacco kills 5 million people every year and that number is expected to double by the year 2020. Despite its enormous toll on human health, tobacco has been largely neglected by anthropologists. Drinking Smoke combines an exhaustive search of historical materials on the introduction and spread of tobacco in the Pacific with extensive anthropological accounts of the ways Islanders have incorporated this substance into their lives. The author uses a relatively new concept called a syndemic—the synergistic interaction of two or more afflictions contributing to a greater burden of disease in a population—to focus at once on the health of a community, political and economic structures, and t...
Images of animals generate perceptions that have a profound effect on attitudes toward species. Can representations contribute to their extinction? Paper Tiger considers the role of illustrations in the demise of the thylacine or Tasmanian ‘tiger’. It critiques 80 engravings, lithographs, drawings and photographs published between 1808 and 1936, paying attention to the messages they convey, the politics of representation, and the impact on the lives of animals. This approach challenges conventional histories, offers new understandings of human-animal interactions, and presents a chilling story of just how misleading and powerful visual representation can be. It demonstrates how pictures, together with words, can have a vital influence on species’ survival. " ... this book is a remarkable achievement. Freeman writes thoughtfully, carefully and with force, and the book is a very good read."’ (Nigel Rothfels, University of Wisconsin-Milwaukee)
Rock art is one of the most visible and geographically widespread of cultural expressions, and it spans much of the period of our species' existence. Rock art also provides rare and often unique insights into the minds and visually creative capacities of our ancestors and how selected rock outcrops with distinctive images were used to construct symbolic landscapes and shape worldviews. Equally important, rock art is often central to the expression of and engagement with spiritual entities and forces, and in all these dimensions it signals the diversity of cultural practices, across place and through time. Over the past 150 years, archaeologists have studied ancient arts on rock surfaces, bot...
Unique local transformations of the practice of established religions in Asia and the Pacific are juxtaposed with the emergence of new religious movements whose incidence is growing across the region. In Flows of Faith, the contributing authors take as their starting point questions of how religions manifest outside their cultural boundaries and provide the basis for new social identities, political movements and social transformations. With fresh insights into the globalization of beliefs, their local inflections, and their institutionalization, the authors explore how old and new religions work in different settings, and how their reception and membership challenge orthodox understandings ...
The Fifth International Symposium of the Pacific Arts Association, titled "Art, Performance, and Society," called for papers in sessions dealing with "Production and Performance," "Social and Cultural Context," "The Record and the Remainder," and "The Mission of Museums." In all, some sixty papers were presented, twenty-four of which have been included in this book. The first two topics elicited several papers that explored the creative process, including the description and analysis of performance, and the taxonomy of objects used, the transmission of cultural knowledge, and the identity and work of individual artists. The second two topics provided the opportunity for papers on some significant early museum collectors and collections, various methods of documenting cultural material (such as photography), how cultural material has been and can be exhibited, and the role of museums and cultural centers in Pacific Island countries.
Scholars representing several disciplines examine how patterns and symmetry are expressed and resonate in a variety of man's creations and cultures.
Contributors explore the complex relations among Pacific artists, patrons, collectors, and museums over time, as well as the different meanings given to art objects by each.