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Praise for the earlier edition: "Students of modern American literature have for some years turned to Fifteen Modern American Authors (1969) as an indispensable guide to significant scholarship and criticism about twentieth-century American writers. In its new form--Sixteenth Modern American Authors--it will continue to be indispensable. If it is not a desk-book for all Americanists, it is a book to be kept in the forefront of the bibliographical compartment of their brains."--American Studies
Literary historians have repeatedly observed that while Scott as a poet was the first British literary lion of the nineteenth century, his fame was supplanted by Byron as a poet starting in 1812. But that is as far as they take the relationship seriously, for the two writers are traditionally thought of as very different, even as political and temperamental opposites. But in fact, the two writers met each other in 1815, liked each other, and cherished their friendship the rest of their lives. The story of their relationship in personal terms was not over. Nor was the literary relationship, this study ventures. Scott embarked on an entirely new career in 1814, inventing the historical novel. ...
Contents: Preface: Norman Buchan, M. P.; Introduction: Angus Calder; Byron the Radical: David Craig; Byron: Radical, Scotish Aristocrat: Andrew Noble; Byron and Catholicism: William Donnelly; Byron and Scott: P. H. Scott; The Provost and His Lord: John Galt and Lord Byron: Margery McCulloch; Lord Byron and Lord Elgin: Douglas Dunn; Byron: An Edinburgh Re-Review: John Curt; Byron, Scott and Scottish Nostalgia: J. Drummond Bone; "The Island: " Scotland, Greece, and Romantic Savagery: Angus Calder; "Byron Landing From a Boat" by George Sanders: Michael Rees; On Singing "Dark Lochnager: " Sheena Blackhall; Afterword: J. Drummond Bone^R
Novel-Poetry examines the verse-novel--a hybrid genre that emerged in the middle decades of Britain's nineteenth century--to make a larger claim about the nature of genre and formal structures for time, action, and identity that cross genres. The volume uncovers trajectories of literary influence that structure our approach to literature and affect how we shape our lives, lives which are often constrained by cause-and-effect and narrative-driven ways of approaching time and possibility. Novel-Poetry tracks an alternative way of thinking about time and event that was inspired by the French Revolution, popularized by Lord Byron, and explored by experimental Victorian poets such as Elizabeth Ba...
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