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Street Art Chile
Street Art.
Against the Corporate Media
The citizens of Western democracies have been relentlessly propagandized, lied to, and fed a steady diet of distortions and untruths by their media for decades. Editor Michael Walsh brings together a stellar collection of critical thinkers and writers to explain how and why this is happening, its negative effects on our democracies, and what we can do to reverse it. An informed electorate is a prerequisite for free and fair elections. But rather than striving for accuracy and objectivity, today’s journalists openly celebrate the death of objectivity, arguing that they have a “higher duty” to reject the conservatism, police speech, and suppress news that contradicts the liberal narrativ...
The Conqueror
None
The Last Great Cavalryman
Dick McCreery was commissioned into the 12th Royal Lancers in 1915 and served on The Western Front, winning the MC and surviving wounds.In 1938 he joined the staff of 1st Division under Alexander before being given command of 2 Armored Brigade. He won the DSO for his leadership during the retreat to Dunkirk Man/June 1940.In North Africa McCreery was sacked by Auchinleck, with whom he had major differences, but, while waiting for a plane home, he was spotted by Alexander who made him his Chief of Staff. He is credited by many (but not Montgomery the two did not get on) for the solution to the El Alamein victory.He was promoted to command X Corps at Salerno which he commanded during the advanc...
The Last of the Black Emperors
Offering a gripping, informative, and balanced assessment of Mayor Marion Barry, this book reveals how a crafty, first-generation civil rights era politician pulled off his amazing return to power. 24 photos.
The Place of the Viewer
In recent decades, art historians and critics have occasionally emphasized a dynamic, embodied mode of looking, accenting the role of the viewer and the complex interplay between beholders and works of art. In The Place of the Viewer, Kerr Houston shows that an attention to the position and physical experiences of beholders has in fact long informed art historical analyses – and that close study of the theme can lead to a fuller understanding of the discipline, the act of viewership and individual works of art. Simultaneously attentive to historical ideas and contemporary scholarship, this book identifies a vein of thought that has been generally overlooked, and proposes new ways of seeing familiar works and traditions.
The Stolen Notebooks
Delving into reasons biographers assume Tuscan painter Leonardo da Vinci wrote the Notebooks, hunting down sources and original texts, South African art historian Susan Grundy uncovers it was only Leonardo’s young heir Milanese Francesco Melzi who said these were the artist's Notebooks. In the nineteenth century European scholars began to access these Notebooks in more depth, transcribing the arcane backwards Italian and translating them into English. They discovered a man who did not seem to be Tuscan Leoanrdo da Vinci, as he seemed to be a man from the East. Yet, this reality was closed down by researchers determined to continue with the myth of the self-educated genius from a farm in Tuscany.
Architecture Post Mortem
Architecture Post Mortem surveys architecture’s encounter with death, decline, and ruination following late capitalism. As the world moves closer to an economic abyss that many perceive to be the death of capital, contraction and crisis are no longer mere phases of normal market fluctuations, but rather the irruption of the unconscious of ideology itself. Post mortem is that historical moment wherein architecture’s symbolic contract with capital is put on stage, naked to all. Architecture is not irrelevant to fiscal and political contagion as is commonly believed; it is the victim and penetrating analytical agent of the current crisis. As the very apparatus for modernity’s guilt and un...
Giorgio Vasari and the Birth of the Museum
The first focused study of Vasari’s original contributions to museum formation, this collection presents a cross-disciplinary overview of Vasari’s approaches to collecting and display, and his impact and legacy with respect to the museum institution. Vasari specialists unite with scholars of historical museology to address the subject from the full range of aspects - collecting, installation, conceptual-historical - in which his influence is strongly felt.
