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True Crimes
  • Language: en
  • Pages: 356

True Crimes

Rodolfo Walsh was a writer of crime novels, a tireless investigative journalist who uncovered real political crimes, an instant historian of a turbulent and violent era in Argentinian and Latin American politics.This is an account of Rudolfo Walsh's life. It includes extended excerpts from his varied writings.

Rodolfo Walsh, vivo
  • Language: es
  • Pages: 408

Rodolfo Walsh, vivo

  • Type: Book
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  • Published: 1994
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  • Publisher: Unknown

None

Operation Massacre
  • Language: en
  • Pages: 273

Operation Massacre

1956. Argentina has just lost its charismatic president Juán Perón in a military coup, and terror reigns across the land. June 1956: eighteen people are reported dead in a failed Peronist uprising. December 1956: sometime journalist, crime fiction writer, studiedly unpoliticized chess aficionado Rodolfo Walsh learns by chance that one of the executed civilians from a separate, secret execution in June, is alive. He hears that there may be more than one survivor and believes this unbelievable story on the spot. And right there, the monumental classic Operation Massacre is born. Walsh made it his mission to find not only the survivors but widows, orphans, political refugees, fugitives, alleged informers, and anonymous heroes, in order to determine what happened that night, sending him on a journey that took over the rest of his life. Originally published in 1957, Operation Massacre thoroughly and breathlessly recounts the night of the execution and its fallout.

Rodolfo Walsh
  • Language: es
  • Pages: 140

Rodolfo Walsh

  • Type: Book
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  • Published: 2004
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  • Publisher: Unknown

None

Rodolfo Walsh's Last Case
  • Language: en

Rodolfo Walsh's Last Case

  • Type: Book
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  • Published: 2024-03-05
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  • Publisher: Unknown

None

Rodolfo Walsh
  • Language: es
  • Pages: 99

Rodolfo Walsh

  • Type: Book
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  • Published: 2018
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  • Publisher: Unknown

None

The Space of Disappearance
  • Language: en
  • Pages: 260

The Space of Disappearance

  • Type: Book
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  • Published: 2020-01-01
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  • Publisher: SUNY Press

More than thirty thousand people were forcibly disappeared during the military dictatorship that governed Argentina from 1976 to 1983, leaving behind a cultural landscape fractured by absence, denial, impunity, and gaps in knowledge. This book is about how these absences assume narrative form in late twentieth-century Argentine fiction and the formal strategies and structures authors have crafted to respond to the country's use of systematic disappearance as a mechanism of state terror. In incisive close readings of texts by Rodolfo Walsh, Julio Cortázar, and Tomás Eloy Martínez, Karen Elizabeth Bishop explores how techniques of dissimulation, doubling, displacement, suspension, and embod...

RW
  • Language: es
  • Pages: 71

RW

  • Type: Book
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  • Published: 2016
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  • Publisher: Unknown

None

A History of Argentine Literature
  • Language: en
  • Pages: 1025

A History of Argentine Literature

Argentine Literature continues to figure prominently in academic programs in the English-speaking world, and it has an increasing presence in English translation in international prizes and trade journals. A History of Argentine Literature proposes a major reimagining of Argentine literature attentive to production in indigenous and migration languages and to current debates in Literary Studies. Panoramic in scope and incisive in its in-depth studies of authors, works, and theoretical problems, this volume builds on available scholarship on canonical works but opens up the field to include a more diverse rendering as well as engaging with the full spectrum of textual interventions from travel writing to drama, from popular 'gauchesca' to celebrated avant guard works Working at the crossroads of disciplines, languages and critical traditions, this book accounts for the wealth of Argentine cultural production and maps the rich, diverse and often overlooked history of Argentine literature.

Disappearing Acts
  • Language: en
  • Pages: 332

Disappearing Acts

Taylor uses performance theory to explore how public spectacle both builds and dismantles a sense of national and gender identity. Here, nation is understood as a product of communal "imaginings" that are rehearsed, written and staged - and spectacle is the desiring machine at work in those imaginings. Taylor argue that the founding scenario of Argentineness stages the struggle for national identity as a battle between men - fought on, over, and through the feminine body of the Motherland. She shows how the military's representations of itself as the model of national authenticity established the parameters of the conflict in the 70s and 80s, feminized the enemy, and positioned the public - limiting its ability to respond.