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The Routledge Hispanic Studies Companion to Early Modern Spanish Literature and Culture
The Routledge Hispanic Studies Companion to Early Modern Spanish Literature and Culture introduces the intellectual and artistic breadth of early modern Spain from a range of disciplinary and critical perspectives. Spanning the sixteenth and seventeenth centuries (a period traditionally known as the Golden Age), the volume examines topics including political and scientific culture, literary and artistic innovations, and religious and social identities and institutions in transformation. The 36 chapters of the volume include both expert overviews of key topics and figures from the period as well as new approaches to understudied questions and materials. This invaluable resource will be of interest to advanced students and scholars in Hispanic studies, as well as Renaissance and early modern studies more generally.
The Rise of Spanish American Poetry 1500-1700
Early modern Spanish American poetry (c. 1500-1700) is a fascinating but little-studied aspect of Hispanic colonial culture. Spanish American poetry was transmitted in material ways, not simply as an intellectual and literary phenomenon. Poetry was considered as a written and oral object, disseminated, conditioned and controlled by a range of societal players both within and beyond the urban space. While the obvious networks of interchange connected the European metropolis to the burgeoning colonies, there were also cross-regional connections in Central and South America. As performance art, poetry connected with other art forms in the region -- music, painting and sculpture -- but as an act of devotion it also intersected the history of early American religious culture. This wide-ranging and highly interdisciplinary volume offers pioneering work bringing together scholars from both Europe and the Americas, North and South. Rodrigo Cacho is Reader in Spanish Golden Age and Colonial Studies at the University of Cambridge. Imogen Choi is Associate Professor of Spanish at Exeter College, University of Oxford.
The Places of Early Modern Criticism
What is criticism? And where is it to be found? Thinking about literature and the visual arts is found in many places - in treatises, apologies, and paragoni; in prefaces, letters, and essays; in commentaries, editions, reading notes, and commonplace books; in images, sculptures, and built spaces; within or on the thresholds of works of poetry and visual art. It is situated between different disciplines and methods. Critical ideas and methods come into England from other countries, and take root in particular locations - the court, the Inns of Court, the theatre, the great house, the printer's shop, the university. The practice of criticism is transplanted to the Americas and attempts to art...
Habent sua fata libelli
Habent sua fata libelli honors the work of Craig Kallendorf, offering studies in his primary fields of expertise: the history of the book and reading, the classical tradition and reception studies, Renaissance humanism, and Virgilian scholarship.
The Rise of Spanish American Poetry 1500-1700
"Early modern Spanish American poetry (c. 1500-1700) is a fascinating but little-studied aspect of Hispanic colonial culture. Spanish American poetry was transmitted in material ways, not simply as an intellectual and literary phenomenon. Poetry was considered as a written and oral object, disseminated, conditioned and controlled by a range of societal players both within and beyond the urban space. While the obvious networks of interchange connected the European metropolis to the burgeoning colonies, there were also cross-regional connections in Central and South America. As performance art, poetry connected with other art forms in the region - music, painting and sculpture - but as an act of devotion it also intersected the history of early American religious culture. This wide-ranging and highly interdisciplinary volume offers pioneering work bringing together scholars from both Europe and the Americas, North and South."--Provided by publisher.
Carajicomedia
A study and edition of one of the most ignored works of early Spanish literature because of its strong sexual content, this work examines the social ideology that conditioned the reactions of people to the events it describes as well as Fernando de Rojas's masterpiece, Celestina.
Poets, Patronage, and Print in Sixteenth-century Portugal
Portugal was not always the best place for poets in the sixteenth century. Against the backdrop of an expanding empire, the country's annexation by Spain in 1580, and ongoing religious controversy, poets struggled to articulate their worth to rulers and patrons. This did not prevent them, however, from persisting in their craft. Indeed, many of their works reflected precisely on the question of what poetry could do and what, ultimately, its value was. The answers that poets like Luís de Camões, Francisco de Sá de Miranda, António Ferreira, and Diogo Bernardes offered to these questions, and which are explored in this book, ranged from lofty ideals to the more practical concerns of making...
Renaissance Drama on the Edge
Recurring to the governing idea of her 2005 study Shakespeare on the Edge, Lisa Hopkins expands the parameters of her investigation beyond England to include the Continent, and beyond Shakespeare to include a number of dramatists ranging from Christopher Marlowe to John Ford. Hopkins also expands her notion of liminality to explore not only geographical borders, but also the intersection of the material and the spiritual more generally, tracing the contours of the edge which each inhabits. Making a journey of its own by starting from the most literally liminal of physical structures, walls, and ending with the wholly invisible and intangible, the idea of the divine, this book plots the many and various ways in which, for the Renaissance imagination, metaphysical overtones accrued to the physically liminal.
The Cambridge Companion to Latin American Poetry
This Companion provides a chronological survey of Latin American poetry, analysis of modern trends and six succinct essays on the major figures.
Decolonial Ecologies
In Decolonial Ecologies: The Reinvention of Natural History in Latin American Art, Joanna Page illuminates the ways in which contemporary artists in Latin America are reinventing historical methods of collecting, organizing, and displaying nature in order to develop new aesthetic and political perspectives on the past and the present. Page brings together an entirely new corpus of artistic projects from Argentina, Brazil, Chile, Colombia, Ecuador, Mexico, and Peru that engage critically and creatively with forms as diverse as the medieval bestiary, baroque cabinets of curiosities, atlases created by European travellers to the New World, the floras and herbaria composed by eighteenth- and nin...
