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Patchwork in times of plurality encompasses the multitude of actions as a revealing symbol of ethos, actors, organisms, and manifestations of preservation and dialogue frontiers. This plural metaphor, almost like a patchwork, aggregates and yet segregates, conforms, but disfigures, and boosts the meanings which represent this new field that international relations have been recently crossing. Just like the mirror metaphor - that reflects everything to all and, sometimes, intervenes in distortions - the patchwork analogy allowed the book to take responsibility for the disclosure of preservation actions on a global scale. The book has a pioneering role insofar since it is the only publication ...
This book encourages a critical dialogue between interdisciplinary fields that border heritage boundaries and seeks to contribute a wide range of scholarly perspectives and case studies (both national and international). The widespread use of the concept of soft power is sometimes grossly misused as a synonym for anything other than military force. While the concept is one of the most popular and influential in progressive foreign policy circles and is noted for being the ability of a country to convince others that its cause is the best, without having to resort to economic or military threats, the your ability to accurately describe the world we live in needs repair lenses. The power of ex...
This volume brings together work by authors who draw upon sociological and criminological methods, theory, and frameworks, to produce research that pushes boundaries, considers new questions, and reshape the existing understanding of "art crimes", with a strong emphasis on methodological innovation and novel theory application. Criminologists and sociologists are poorly represented in academic discourse on art and culture related crimes. However, to understand topics like theft, security, trafficking, forgery, vandalism, offender motivation, the efficacy of and results of policy interventions, and the effects art crimes have on communities, we must develop the theoretical and methodological models we use for analyses. The readership of this book is expected to include academics, researchers, and practitioners in the fields of criminology, sociology, law, and heritage studies who have an interest in art and heritage crime.
Recent debates about the return of colonially looted heritage have furthered the discussions on decolonisation around the world, and have reignited questions surrounding “what is, and who owns, cultural heritage”. These discourses in the meaning, production and management of heritage – with a growing presence of themes that address “Latinities” – have gained greater visibility in Latin America and the Caribbean, as challenges surrounding cultural heritage arise more prominently worldwide. The attention on this region aims to contextualise the various theoretical, empirical, and critical perspectives in relation to the negotiation of decolonisation. Hence, this book focuses on the...
Focusing on Brazil, this book approaches the term “heritage” from not only a historical and architectural point of view, but also considers its artistic, archaeological, natural, ethnological and industrial aspects. The book is divided into four thematic sections – 1) traditions and intangible heritage, 2) archaeological heritage, 3) natural heritage and landscapes, and 4) heritage of industrial and built environments – and presents chapters on a diverse range of topics, from samba and cultural identities in Rio de Janeiro, to the history of Brazilian archaeology, the value of scenic landscapes in Brazil, and the cultural landscape of Brazil. As an outcome of the First Heritage International Symposium, this unique book explores a variety of heritage dialogues, pursuing global and specific approaches, and combining different views, perceptions and senses.
This book explores a variety of heritage dialogues, from global and specific approaches, combining different views, perceptions and senses. Following the first volume on Latin American Heritage as published in this book series in 2019, this new volume focuses on music, dance and railway heritage, considering artistic, archaeological, natural, ethnological and industrial aspects. It is divided into four thematic sections – 1) parties and cultural heritage, 2) railway heritage and museums, 3) archaeological heritage and tourism, and 4) cultural landscape and tourism – and presents chapters on a diverse range of topics, from samba and cultural identities in Rio de Janeiro and London to the "musealization" of railway assets, the history of Antarctic archaeology, the value of scenic landscapes and urban memory in Spain, and the cultural landscape of Brazil. This unique book explores a variety of heritage dialogues, pursuing global and specific approaches, and combining different views, perceptions and senses, including video fragments.
Plínio Salgado foi uma das figuras mais relevantes da história da direita brasileira no século xx. Nascido em São Bento do Sapucaí (sp) em 1895, foi um importante escritor modernista e político ligado ao Partido Republicano Paulista na década de 1920. Nos anos de 1930, fundou o principal movimento fascista surgido no Brasil, a Ação Integralista Brasileira. Como líder integralista, esteve em primeiro plano na política nacional, até ser derrotado e exilado em Portugal por Getúlio Vargas. No pós-guerra, participou ativamente na política dos anos de 1940 e 1950 e, depois de 1964, tornou-se apoiador do regime militar. Entender a vida de Plínio Salgado é, em boa medida, entender a...