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The Entremés for Performance
This bilingual anthology brings together a collection of Spanish entremeses, the comic interludes that were performed between the acts of a comedia. Penned by authors such as Lope de Rueda, Cervantes, Calderón, Quevedo, and Quiñones de Benavente, many of these plays appear here for the first time in English. Translated for performability, these plays create a panoramic view of one-act plays from Spain’s classical theater period. Presented with discussions of dramaturgical and performance possibilities and difficulties, including relevant historical, cultural, and social information for the plays, the collection opens with two precursors to the entremés, moves through the breadth of the ...
Whose Spain?
In this book, Llano analyzes the socio-political discourses underpinning critical and musicological descriptions of 'Spanish music' at the beginning of the nineteenth century and the discourse's connection with French politics and culture of the era. Llano studies operas and other musical works for the stage as privileged sites for the production of Spanish musical identities, and ultimately demonstrates that definitions of 'French' and 'Spanish' music during this period were to some extent interdependent.
Negotiating Cultures
James I "the Conqueror", king of Arago-Catalonia, conquered Mediterranean Spain from Islam during fifty crusading years (1225-1276). From his many surrender treaties, only two survive in their interlinear bilingual originals, both presented here. Each reflects the fragmentation of post-Almohad Islam, the warrior heroes of Islam carving recalcitrant principalities out of the confusion, the hard-fought local negotiations and the confrontation between two radically opposed mentalities. The full meaning of these battered and deteriorated bits of parchment emerges only from minute reconstruction of the Arabic and Latinate texts and especially from ever-widening circles of changing contexts in each world, an historical kaleidoscope. Many surprises here await students of medieval Europe, the Islamic West, Spain, the Crusades, diplomacy, Mudejars/Moriscos, and cultural conflict and interchange.
The Cambridge Companion to Eighteenth-Century Opera
Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.
A Distinctive Industrialization
This book, first published in 1992, is a study of the development of Barcelona's cotton industry from its origins in calico-printing in 1728 to its introduction of steampower in 1832. It thus describes the experiences of the leading industry of the city, and one which provides the only Mediterranean exception to the tendency of early industrialization to be concentrated in northern Europe. The book bridges the 'pre-industrial' and early 'industrial' periods, offering answers to such questions as: what caused 'merchant capital' to move into industrial investment? what were the links between 'pre-industrial' industrial activity and industrialization proper? is it apt to refer to the economic changes of these years as an 'industrial revolution'? should industrialization be studied on a regional or a national basis? A further purpose is to provide an interpretation of the characteristics of the Catalan economy and of its relationship to that of Spain as a whole thereby contributing to the understanding of the 'Catalan question'.
Music in Spain During the Eighteenth Century
Traditional musicology has tended to see the Spanish eighteenth century as a period of decline, but this 1998 volume shows it to be rich in interest and achievement. Covering stage genres, orchestral and instrumental music and vocal music (both sacred and secular), it brings together the results of research on such topics as opera, musical instruments, the secular cantata and the villancico and challenges received ideas about how Italian and Austrian music of the period influenced (or was opposed by) Spanish composers and theorists. Two final chapters outline the presence of Spanish musical sources in the New World.
Mozart a Barcelona
Des de les primeres representacions operístiques de Mozart a Barcelona (1798), l’obra del compositor de Salzburg ha viscut una acceptació progressiva fins arribar al 2006, any del 250è aniversari del seu naixement. Aquest llibre estableix per primera vegada la cronologia de les òperes de Mozart a Barcelona. L’autor, doctor en història de l’art i professor titular de la Universitat Ramon Llull, és crític musical a La Vanguardia i realitza i presenta el programa “Una tarda a l’òpera” a Catalunya Música.
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Los Grandes Compositores
This history of classical music offers fascinating accounts about the world's most famous composers. Esta historia de la música clásica ofrece fascinantes relatos sobre los compositores más destacados del mundo.
