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A look at twenty-nine artists who are "outside culture," unencumbered by "all kinds of cultural, social, indeed psychological prejudices."--p. 7.
This book traces the psychology, history and theory of the compulsion to collect, focusing not just on the normative collections of the Western canon, but also on collections that reflect a fascination with the "Other" and the marginal – the ephemeral, exotic, or just plain curious. There are essays on the Neoclassical architect Sir John Soane, Sigmund Freud and Kurt Schwitters, one of the masters of collage. Others examine imperialist encounters with remote cultures – the consquitadors in America in the sixteenth century, and the British in the Pacific in the eighteenth – and the more recent collectors of popular culture, be they of Swatch watches, Elvis Presley memorabilia or of packaging and advertising. With essays by Jean Baudrillard, Thomas DaCosta Kaufmann, Nicholas Thomas, Mieke Bal, John Forrester, John Windsor, Naomi Schor, Susan Stewart, Anthony Alan Shelton, John Elsner, Roger Cardinal and an interview with Robert Opie.
Traces history of Art Brut from Adolf Wolfli to American folk artists.
"Roger Cardinal surveys the full range of Nash's images, from the ravaged Flanders landscapes of World War I to the spectacular aerial battles of World War II and the meditative late oils ... The essay is illustrated throughout with Nash's paintings, watercolours and ... photography; it draws on Nash's own writings ... to explain Nash in his own terms ... With 70 illustrations, 27 in full colour"--Back cover.
This text surveys work that creates unexpected possibilities in art, science and architecture, possibilities so profound that they suggest an alternate reality. Many of the featured practitioners investigate larger systems of knowledge in their work, while others develop particular disciplines and art forms in unexpected and idiosyncratic directions.
This unique book presents works that until now have only rarely been seen, even in private collections. Paintings, drawings and sculptures by well known outsider artists and new discoveries, all of which express deeply personal interpretations of sexual desire and activity. With texts by the world's leading academic experts in this field, Raw Erotica presents an essential element in the rich and varied world of outsider and self-taught art. With texts and contributions from: * Colin Rhodes, Univ of Sydney, author of Outsider Art: Spontanious Alternatives * Roger Cardinal, author of the original book Outsider Art * Jenifer Borum, New York based authority on self-taught art * Michale Bonesteel, Chicago based writer and author of Henry Darger * Thomas R ske, Curator, The Prinzhorn Collection, Heidelberg * Laurent Danchin, Paris author and French authority on Art Brut * Francois Monin, editor of Artension magazine, France.
Dogma is one of those words. Many people see dogma as a bad thing-as the unreasonable, unthinking adherence to a belief, even in the face of contrary evidence. But when the Catholic Church presents some of her teachings as dogmas, she does not mean that these tenets are irrational or to be thoughtlessly embraced. Dogma is the bedrock of truth, an inexhaustible feast for the mind, not an impediment to thinking. Why? Because dogmas rest on the Word of God, Truth Himself, who can neither deceive nor be deceived, and who wants his Word to be known. The great theologian Charles Journet explores the meaning of dogma in his classic work What is Dogma? In what sense are dogmas an object of faith? Ho...
Survey of some of the main aspects of surrealism as an art movement.
Filled with quotes from men and women prisoners and Kornfeld's own anecdotes, Cellblock Visions shows how these artists, most of them having no previous training, turn to their work for a sense of self-worth, an opportunity to vent rage, or a way to find peace. We see how the artists deal with the cramped space, limited light, and narrow vistas of their prison studios, and how the security bans on many art supplies lead them to ingenious resourcefulness, as in extracting color from shampoo and weaving with cigarette wrappers. Kornfeld covers the traditional prison arts, such as soap carving and tattoo, and devotes a major section to painting, where we see miniatures depicting themes of alienation and escape, idyllic landscapes framed by bars, portraits of women living in a fantasy world, large canvasses filled with erotic and religious symbolism and violent action. The brief, vivid biographies of each artist portray that individual's experience of crime, prison, and art itself.
"Featuring 30 color and 188 black-and-white photographs, the book is organized geographically into eastern, central, western, and northern regions of the state. Each regional division begins with a descriptive tour of the land, the life, and the art that characterize the richness of Wisconsin's cultural landscape. Each section also includes artists' narratives, twenty-six in all, transcribed from interviews Krug and Parker conducted in their travels. Here the artists speak for themselves, relating how they began making art, and how, through art, their interests, values, and personal fulfillment are all interwoven."--BOOK JACKET.