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The objective to this study is, essentially, to arrive at a view of exoticism as a relation between (Western) Self and (exotic) Other that is fluctuatingly tenuous or strong depending on the narrating subject's position vis-a-vis a point of departure (and return) that I have alternately called Home, Center, and audience.
A novel of a life built on the ashes of childhood In the 1950s Tropical Republic, a boy lives amid opulence and privilege, spending days at the beach or in the cool hills above the sweltering capital, enjoying leisurely Sunday lunches around the family compound's swimming pool. That is, until the reign of The Mortician begins, unleashing unimaginable horrors that bring his childhood idyll to an end. Narrowly escaping the violent fate visited on so many of his fellow citizens, he and his brother follow their parents into exile in the United States where they must start a new life. But as he grows, he never feels at home, and leaves his family to travel across Europe and outrun the ghosts of the past. A searing novel of a life lived in the shadow of history, The Delicate Beast portrays the persistent, pernicious legacy of political violence.
Objects of fear and fascination, cannibals have long signified an elemental "otherness," an existence outside the bounds of normalcy. In the American imagination, the figure of the cannibal has evolved tellingly over time, as Jeff Berglund shows in this study encompassing a strikingly eclectic collection of cultural, literary, and cinematic texts. Cannibal Fictions brings together two discrete periods in U.S. history: the years between the Civil War and World War I, the high-water mark in America's imperial presence, and the post-Vietnam era, when the nation was beginning to seriously question its own global agenda. Berglund shows how P. T. Barnum, in a traveling exhibit featuring so-called ...
Examines the ambiguous constructions of the Orient in the works of four major twentieth-century French writers.
"A study of the cultural politics of loss and mourning in France from 1978 to the present. Focuses on national identity, secularism, Jacobin republicanism, and political-cultural exceptionalism"--Provided by publisher.
War Remains traces the poetics of ruination and resistance in select contemporary Lebanese wartime literature, cultural production, and sites of memory. Drawing upon work from southern Lebanon and Beirut, Khayyat examines how war remains are employed as a resistant trope in the intellectual spaces of war’s aftermath. She focuses on "Southern Counterpublics," a collective of poets, novelists, activists, artists, and ordinary citizens and their war-inspired creative productions that speak to the ruins’ capacity to be reframed, recycled, and recontested. Khayyat argues that the ruins of war can be thought of as a generative milieu for resistant thought and action. An ambitious and provocative work, War Remains ventures to the so-called margins to archive the texture and substance rendered invisible when studies of memory rely solely on data furnished by official narratives and military accounts of war.
Solitary Pleasures is the first anthology to address masturbation, exploring both the history and artistic representation of autoeroticism. Masturbation today enjoys a highly equivocal and contradictory status among cultural discourses relating to sexuality. On the one hand, it is the subject of much popular treatment, especially in sexual self-help books, advice columns, and in pop culture--for example, Madonna's "Like a Virgin" performance, a recent Roseanne episode, and David Russell's movie Spanking the Monkey. On the other hand, masturbation is still a taboo subject for most people in everyday conversation. Perhaps more surprising, it has been largely dismissed by academics as a trivial...
This volume collects papers presented at the annual French Literature Conference, sponsored by the Department of Languages, Literatures, and Cultures of the University of South Carolina.
This book shows how le hip hop reflects a republic of culture rather than a culture industry; a minority identity politics that takes shape as a movement poetics or figural language; and the public valorization of dance as a technique, meriting unemployment compensation and understood as a high-tech knowledge practice.
Lavishly illustrated with prints, paintings, memorabilia, and objects from The Brooklyn Historical Society's unparalleled collection, Brooklyn! will bring every reader closer to the Brooklyn of legend and fact.