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Marks in Books, Illustrated and Explained
In 1984, Roger Stoddard curated "an exhibition devoted to those mysterious traces left in books by printers, binders, booksellers, librarians, and collectors." The resulting catalogue, Marks in Books, Illustrated and Explained, is cherished by curators, collectors, and scholars for the insight it offers into the making and the use of books. With sumptuous illustrations and prose at once pithy and polemical, Stoddard describes the glosses, cancels, catchwords, and signature marks that shed light on both printer's craft and author's art.
The Publishing History of Uncle Tom's Cabin, 1852–2002
Uncle Tom's Cabin continues to provoke impassioned discussions among scholars; to serve as the inspiration for theater, film, and dance; and to be the locus of much heated debate surrounding race relations in the United States. It is also one of the most remarkable print-based texts in U.S. publishing history. And yet, until now, no book-length study has traced the tumultuous publishing history of this most famous of antislavery novels. Among the major issues Claire Parfait addresses in her detailed account are the conditions of female authorship, the structures of copyright, author-publisher relations, agency, and literary economics. To follow the trail of the book over 150 years is to trac...
Primitive Photography
Primitive Photography considers the hand-made photographic process in its entirety, showing the reader how to make box-cameras, lenses, paper negatives and salt prints, using inexpensive tools and materials found in most hardware and art-supply stores. Step-by-step procedures are presented alongside theoretical explanations and historical background. Streamlined calotype procedures are demonstrated, featuring different paper negative processes and overlooked, developing-out printing methods. Primitive Photography combines the simplicity of pinhole photography, the handmade quality of alternative processes, and the precision of large-format. For those seeking alternatives to commercially prepared material as well as digital photography, it provides the instructions for creating the entire photographic process from the ground up. Given its scope and treatment of the photographic process as a whole, this may be the first book of its kind to appear in over a century.
Bibliography and the Book Trades
Hugh Amory (1930-2001) was at once the most rigorous and the most methodologically sophisticated historian of the book in early America. Gathered here are his essays, articles, and lectures on the subject, two of them printed for the first time. An introduction by David D. Hall sets this work in context and indicates its significance; Hall has also provided headnotes for each of the essays. Amory used his training as a bibliographer to reexamine every major question about printing, bookmaking, and reading in early New England. Who owned Bibles, and in what formats? Did the colonial book trade consist of books imported from Europe or of local production? Can we go behind the iconic status of ...
Publishing Plates
First realized commercially in the late eighteenth century, stereotyping—the creation of solid printing plates cast from moveable type—fundamentally changed the way in which books were printed. Publishing Plates chronicles the technological and cultural shifts that resulted from the introduction of this technology in the United States. The commissioning of plates altered shop practices, distribution methods, and even the author-publisher relationship. Drawing on archival records, Jeffrey M. Makala traces the first uses of stereotyping in Philadelphia in 1812, its adoption by printers in New York and Philadelphia, and its effects on the trade. He looks closely at the printers, typefounder...
The Book Collector
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Magazines and Modern Identities
"Magazines and Modern Identities analyses the projection of modern national identities in global illustrated magazines, arguing that two particular tendencies dominate the way in which these magazines illustrated the new modernities of the early 20th century. In the first few decades, ideals of technological modernity and consumerism often linked to the USA are shown to have had a normative influence on cultures across the globe: many popular periodicals in Europe, Latin America and China expressed a shared internationalism and optimism around the impact of such forms of technological modernity. A second trend operated in a countervailing fashion: illustrated popular magazines became places ...
