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Pompeii
Roger Ling describes the day-to-day life of Pompeii's inhabitants on the eve of the fatal eruption in AD 79, as well as the eruption itself and its aftermath. The city was rediscovered in the late 16th century, and since then archaeologists have discovered more and more of the city’s past. The author concludes with an assessment of the conflicting demands of conservation and public access.
Let's Take a Walk on the Wild Side and Other Silly Verse
Roger Ling was born out in the sticks of rural Essex, and considers himself to be a true Essex bumpkin, and although he has lived most of his later life in the town, and ran a country pub in the wilds of Suffolk and a restaurant at the sea-side, he is still a country boy at heart. Take a walk on the wild side is a sideways look at life though his eyes, It takes a strange mind to come up with the first poem he ever wrote at the age of fifty. They turned one of our barns, into a pub And it tickles me a bit To see them posh folks eating, Where my bullocks used to shit. Most of the poems are quite irreverent and non P C, and Roger makes no apology for that as he said if you think you may be offe...
Roman Painting
A general survey of Roman wall painting from the second century B.C. through the fourth century A.D., traces the origins, chronological development, subjects, techniques, and social context of the influential art form.
Ancient Mosaics
This text traces the history of mosaics, examining its chronological evolution from Hellenistic to Early Christian times and its regional variations. Topics discussed include mosaic technique and workshop organization and the relationship of mosaic to other forms of interior design.
The Cambridge Ancient History
The publication of the Plates Volume to accompany the Cambridge Ancient History Volume III and that for Volume VII Part 1 inaugurates a new style and format for these books. The illustrations are now presented with a descriptive text and commentary, so that each chapter is a self-contained account of matters of archaeological and art-historical interest, relevant to the history of a period and place. The order of illustration is not always that of the chapters in the text volumes, but is determined by the material illustrated and the principal subjects it suggests. The intention is thus both to complement the text volumes and to provide an independent commentary on the material evidence of a...
Roman Art
First published in 1976, this standard work on the subject traces the development of Roman art from its beginings to the end of the fourth century AD, embracing the monuments of the Republic and then of the later Roman empire, demonstrating how all the arts of a given period combine to mirror its social, cultural, and idealogical character. This new edition includes an emended text with full notes and references, and an updated bibliography.
The Oxford History of the Roman World
In less than fifty-three years, Rome subjected most of the known world to its rule. This authoritative and compelling work tells the story of the rise of Rome from its origins as a cluster of villages to the foundation of the Roman Empire by Augustus, to its consolidation in the first two centuries CE. It also discusses aspects of the later Empire and its influence on Western civilization, not least of which was the adoption of Christianity. Packed with fascinating detail and written by acknowledged experts in Roman history, the book expertly interweaves chapters on social and political history, the Emperors, art and architecture, and the works of leading Roman poets, historians, and philosophers. Reinforcing the book's historical framework are maps, diagrams, a useful chronology, and a full bibliography. Taken as a whole, this rich work offers an indispensable resource on the history of one of the world's greatest empires.
The Cambridge Ancient History
The publication of the Plates Volume to accompany the Cambridge Ancient History Volume III and that for Volume VII Part 1 inaugurates a new style and format for these books. The illustrations are now presented with a descriptive text and commentary, so that each chapter is a self-contained account of matters of archaeological and art-historical interest, relevant to the history of a period and place. The order of illustration is not always that of the chapters in the text volumes, but is determined by the material illustrated and the principal subjects it suggests. The intention is thus both to complement the text volumes and to provide an independent commentary on the material evidence of a...
Romano-British Wall Painting
Examines the methods used to excavate and restore wall-plaster, as well as the techniques used by ancient plasterers adn painters, decorative schemes, iconography and social and srtistic context.
