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Black Murder – Four hard-boiled stories of greed, robbery, black market bootleggers and cold-blooded murder by Roger Torrey. Life—or Death? (1940) – A bullet stood between the happiness of his two friends and his own death. John Morgan, being the sort of a man he was, made the only choice possible Three Dead Men (1940) – Joe Walters finds his man and the missing money— but he can’t find anyone to pin the rap on! Chapter I – Judas Pinch Chapter II – Self-defense Chapter III – Circumstantial Evidence Chapter IV – Everything in Line Chapter V – “Gold Is Where You Find It” Black Murder (1944) – Danny had been in hot business before. But he wouldn’t go back now—eve...
Bet On Murder – Three stories of kidnapping, murder, frame-ups, greed and espionage on the World War II home front. The Bookie Bets on Murder (1945) Gilbert wasn’t shipping his race horses for the benefit of a crooked bookie ring—not after he’d had a son killed in action. But neither did he like his daughter being kidnapped. That’s where Phelan came in—to find that even a private detective couldn’t prevent murder Chapter I Chapter II – Family Trouble Chapter III – Sikes And His Merry Men Chapter IV – Lost and Found Chapter V – Ambush Killer Chapter VI – Dog Eat Dog Chapter VII – Murder Strikes Again Chapter VIII – The Pay Off Chapter IX – Lady Killer The Frankie...
During that wonderful golden age of local children's television, many talented people pooled their skills to enthrall and edify the impressionable, appreciative viewers. Yet with no disrespect intended toward any of the others, one person stood out in his ability to spin gold out of straw: Bill Jackson. Bill's legion of fans still cherish his amazing adventures with the memorable puppet characters that sprung from his fertile imagination on programs such as Cartoon Town, The BJ and Dirty Dragon Show, and Gigglesnort Hotel. These programs remain as fresh and entertaining today as they did when they were first broadcast, and belie their meager budgets and restrictive production schedules, than...
The Secret History of Marvel Comics digs back to the 1930s when Marvel Comics wasn't just a comic-book producing company. Marvel Comics owner Martin Goodman had tentacles into a publishing world that might have made that era’s conservative American parents lynch him on his front porch. Marvel was but a small part of Goodman’s publishing empire, which had begun years before he published his first comic book. Goodman mostly published lurid and sensationalistic story books (known as “pulps”) and magazines, featuring sexually-charged detective and romance short fiction, and celebrity gossip scandal sheets. And artists like Jack Kirby, who was producing Captain America for eight-year-olds...
From the late 1800s through the first half of the 1900s, pulp magazines--costing a dime and filled with both fiction and nonfiction--were a staple of American life. Though often overlooked by popular culturalists, sports were one of the staples of the pulp scene; such standards as the National Police Gazette and All-Story carried some sports stories, and several publications, such as Sport Story Magazine, were entirely devoted to them. An overview of the pulps is followed by an examination of those devoted to sports: how they came into being, the development of the genre, the popularity of its heroes, and coverage of real-life events. The roles of editors, writers, artists, and publishers are then fully covered. A chapter on Street & Smith, the foremost publisher of sports pulps, follows, while a concluding chapter discusses the reasons for the demise of the pulps in the early 1950s.
With the environmental crisis comes a crisis of the imagination, a need to find new ways to understand nature and humanity's relation to it. This is the challenge Lawrence Buell takes up in The Environmental Imagination, the most ambitious study to date of how literature represents the natural environment. With Thoreau's Walden as a touchstone, Buell gives us a far-reaching account of environmental perception, the place of nature in the history of western thought, and the consequences for literary scholarship of attempting to imagine a more "ecocentric" way of being. In doing so, he provides a major new understanding of Thoreau's achievement and, at the same time, a profound rethinking of ou...
Since the beginning of television, Westerns have been playing on the small screen. From the mid-1950s until the early 1960s, they were one of TV's most popular genres, with millions of viewers tuning in to such popular shows as Rawhide, Gunsmoke, and Disney's Davy Crockett. Though the cultural revolution of the later 1960s contributed to the demise of traditional Western programs, the Western never actually disappeared from TV. Instead, it took on new forms, such as the highly popular Lonesome Dove and Deadwood, while exploring the lives of characters who never before had a starring role, including anti-heroes, mountain men, farmers, Native and African Americans, Latinos, and women. Shooting...
This biographical encyclopedia covers every actor and actress who had a regular role in a Western series on American television from 1960 through 1975, with analyses of key players. The entries provide birth and death dates, family information, and accounts of each player's career, with a cross-referenced videography. An appendix gives details about all Western series, network or syndicated, 1960-1975. The book is fully indexed.
Pulp fiction' s lurid adventures were vividly reflected on the magazines' eye-catching covers. Hard-boiled dames, bizarre monsters, dicks and ' tecs, sinister villains, and muscled warriors all appeared each month to tempt readers out of their hard-earned dimes. This gorgeous full-color compilation features hundreds of the genre' s most thrilling covers and includes an index. Taken collectively, they provide a dazzling panorama of some 60 years of illustration and social commentary.