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Joan Eardley
Joan Eardley (1921-63) is considered to be one of the most influential Scottish painters of her generation. Her paintings and drawings reflect urban and rural Scotland in an expressive visual language unlike any other artist's. This new, highly illustrated survey of her painting does renewed justice to the range, scale and power of her work.
Roderic O'Conor
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Lovers and Husbands and What-Not
Who is this woman? She was born in Leeds, U.K., died in Kaitaia, New Zealand, and appears in both the Dictionary of New Zealand Biography and the Bibliography of Australian Literature... She was raised a Quaker, converted to and campaigned for Islam, had a life-long interest in spiritualism and died a devout Catholic... She made a foundational contribution to socialist feminist journalism in The Maoriland Worker using the principles of Christian socialism and Leninist-Marxism... She was an associate of Pat Lawlor and Robin Hyde, helped lead the New Zealand Movement against War and Fascism before World War Two and then made a significant contribution to the American War Effort in the US durin...
The Piranesi Effect
The work of Italian printmaker Giovanni Battista Piranesi (1720–1778) has captivated artists, architects and designers for centuries. Although contemporary Australia is a long way from eighteenth-century Rome, it is home to substantial collections of his works, the largest being at the State Library of Victoria and the University of Melbourne. The Piranesi Effect is a collection of exquisitely illustrated essays on the impact of Piranesi’s work throughout the years. The book brings together Australian and international experts who investigate Piranesi’s world and its connections to the study of art and the practice of artists today. From curators and art historians, to contemporary artists like Bill Henson and Ron McBurnie, the contributors each bring their own passion and insight into the work of Piranesi, illuminating what it is about his work that still inspires such wonder.
Sickert
Walter Richard Sickert (1860-1942) was an artist of prodigious creativity. For sixty years, in his roles as painter, teacher, and polemicist, he was a source of inspiration and influence to successive generations of British painters. With his roots in the Victorian era, Sickert broke all taboos. He was uncompromisingly truthful, revealing beauty in the squalid as in the sublime: in cockney music halls, the crumbling streets of Dieppe, the grand sites of Venice, and the low-life of Camden Town. Decades before Warhol, he exploited the potential of photo-based imagery and of studio production lines to create iconic portraits of the grandees of theatrical, social, and political life. This catalogue is divided into two parts: essay chapters describe Sickert's chronology in terms of stylistic and technical development, and a fully illustrated catalogue presents more than 2800 drawings and paintings, many of which have never been published before.
Georges Braque’s Post-Cubism Masterpieces
This is the story of Regis Krampf’s passion for the work of Georges Braque. It is an illustrated book of his collection of paintings by the artist pertaining to a specific period. It is accompanied by new texts. He has focused his collection on the larger, most prolific, yet less known third period of Georges Braque’s body of work. The period spans a little over 40 years until the artist’s death in 1963. The first two periods are the Fauve period and the Cubist period.
The Undiscovered Expressionist
Toward the end of her life, Viennese artist Marie-Louise von Motesiczky (1906–1996) at last gained recognition as one of Austria’s most important 20th-century painters. The great art historian Ernst Gombrich praised the artist’s striking individuality and the delicacy and subtlety of her painting. This book celebrates Motesiczky’s work and situates the artist in the troubled history of her times. Drawing on a wealth of unpublished family archives, including decades of correspondence between Marie-Louise and the writer Elias Canetti, the book tells the story of Motesiczky’s life from her childhood in Vienna amidst talented and distinguished family members to her later years living and working among other exiled artists in England. The book also offers a sensitive critical study of Marie-Louise’s paintings, discussing particular works and the circumstances that surrounded their creation. These include compelling self-portraits, a moving series of paintings of the artist’s aging mother, and lyrical depictions of her English garden.
