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God, Man, and Satan
Treating John Milton's Paradise Lost as a Christian vision of reality and Bunyan’s Pilgrim’s Progress as an allegory of the Christian life, Roland Mushat Frye brings together two seventeenth-century works in this highly original literary study. He sees the writings both as art and as theological expression, and his analysis penetrates each aspect. Paradise Lost (once considered a monument to dead ideas) and Bunyan’s work are found to speak with relevance to today’s theological ferment; and the contributions of such modern thinkers as Kierkegaard, Niebuhr, and Tillich illumine the design of the two works. The author’s imagination and literary insight give fresh perspective to two En...
Shakespeare
Outlining methods and techniques for reading Shakespeare's plays, Roland Frye explores and develops a comprehensive understanding of Shakespeare's drama.
Shakespeare
This edition first published in 1982. Previous edition published in 1972 by Houghton Mifflin. Outlining methods and techniques for reading Shakespeare's plays, Roland Frye explores and develops a comprehensive understanding of Shakespeare's drama, focussing on the topics which must be kept in mind: the formative influence of the particular genre chosen for telling a story, the way in which the story is narrated and dramatized, the styles used to convey action, character and mood, and the manner in which Shakespeare has constructed his living characterizations. As well as covering textual analysis, the book looks at Shakespeare's life and career, his theatres and the actors for whom he wrote and the process of printing and preserving Shakespeare's plays. Chapters cover: King Lear in the Renaissance; Providence; Kind; Fortune; Anarchy and Order; Reason and Will; Show and Substance; Redemption and Shakespeare's Poetics.
The Politics of Prayer
Distinguished Catholic and Jewish scholars, theologians, and linguists offer important insights into the functions of language as well as penetrating analyses of the feminists' influence on Scripture and worship.
Shakespeare's Tribe
Most contemporary critics characterize Shakespeare and his tribe of fellow playwrights and players as resolutely secular, interested in religion only as a matter of politics or as a rival source of popular entertainment. Yet as Jeffrey Knapp demonstrates in this radical new reading, a surprising number of writers throughout the English Renaissance, including Shakespeare himself, represented plays as supporting the cause of true religion. To be sure, Renaissance playwrights rarely sermonized in their plays, which seemed preoccupied with sex, violence, and crime. During a time when acting was regarded as a kind of vice, many theater professionals used their apparent godlessness to advantage, c...
C. S. Lewis
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Shakespeare and the Twentieth Century
In close to fifty sessions, the congress theme - "Shakespeare and the Twentieth Century" - allowed for critical approaches from many directions: through twentieth-century theater history on almost every continent; through a range of media representations from film to databases; through the changing theoretical models of the period that extend to the latest politically inflected readings; and through appropriations of the play-texts by modern art forms such as recent fiction.
The God Hypothesis
The God Hypothesis seeks to reverse the profound misunderstanding that science has disproved the existence of God. Drawing on the fairy tale of Goldilocks and The Three Bears, Michael A. Corey believes that the "just right" conditions that created life on earth provide overwhelming evidence of an Intelligent Designer at work.
Shakespeare
Excerpt from Shakespeare: The Last Phase A number of critics have suggested that I have laid too much stress on the symbolic and religious elements ln the final plays at the expense of those of romance and fantasy. The tendency to read explicit statements of Christian belief into Shakespeare seems to me indeed to have been carried considerably too far in certain places. I do not myself believe that much can usefully be said concerning Shakes peare's personal beliefs, and I am certain that none of his plays were written to illustrate religious dogmas or to point preconceived moral judgements; but - I must add - it seems to me no more than natural that a writer of his t1me and place should be ...
Humanities
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