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Romaine Brooks
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Amazons in the Drawing Room
Coinciding with a traveling exhibition opening at the National Museum of Women in the Arts in June, this volume presents a comprehensive and definitive analysis of the life and art of Romaine Brooks, reproducing for the first time in color 34 of the 40 nudes and portraits she painted. Includes an essay by Joe Lucchesi.
Romaine Brooks
IThis biography provides a portrait of Brooks's aesthetics and experimentation as an artist and of her entire life. From her chaotic childhood to the enigmatic decades after World War II, when she produced very little art. This biography takes aim at many myths about Brooks and her friends, lovers, and the subjects of her portraits, revealing a woman of wit and passion who overcame enormous personal and societal challenges to become an extraordinary artist and create a life on her own terms.
Romaine Brooks
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Romaine Brooks
Catalog of an exhibition held at the National Collection of Fine Arts, Smithsonian Institution, Washington, D.C., 24 Feb.-4 Apr., 1971, and at the Whitney Museum of American Art, New York, 9 Apr.-9 May, 1971.
Strange Impressions
Selections from Romaine Brooks’s unpublished memoir No Pleasant Memories expose the psyche and practice of this underrecognized queer, female artist. Most known for her bold and darkly painted portraits, Brooks was revolutionary in her feminist renderings of women in resistance. Openly queer, she challenged conceptions of gender and sexuality in her art, which also served as her refuge. While many of her male counterparts were disfiguring and cubing their subjects—often women—Brooks gave personhood and power to the figures she painted. Her frank approach to her complicated relationship with her mother, faith, wealth, sexuality, and gender is complemented by a keen wit that echoes the gray tones of her work. Though her paintings are held in major collections, Brooks’s influence in modernist circles of the early twentieth century is largely underexplored. This new publication, guided by Brooks’s own impressionistic musings, bridges an important gap between the art and the artist. An introduction by Lauren O’Neill-Butler explores Brooks’s role as an artist in the early twentieth century through the lens of gender and sexuality.
Between Me and Life
Sister Wendy Beckett's brilliant insight and quirky delivery have made her both a respected art critic and a beloved personality. Now she focuses her attention on American art in this volume that contains more than 50 high-quality, large-scale reproductions. Full color.
Romaine Brooks
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Wild Girls
Wild Girls is the critically acclaimed true story of two wealthy American heiresses---one an artist, the other a writer---whose stormy, passionate love affair captivated Paris’s salon set between the wars. Natalie Barney and Romaine Brooks were rich, American, eccentric, and grandly lesbian. They met in Paris in 1915, and their relationship lasted more than fifty years, despite infidelity, separation, and temperamental differences. Romaine Brooks, a painter, was the product of an unhappy childhood and trusted no one but Natalie. Natalie Barney was passionate about life, sex, and love. Her Friday afternoon salons, attended by Gertrude Stein, and Colette and Edith Sitwell, were a magnet for ...
Wild Girls
Seduction, madness, addiction, suicide - this was the bohemian world of Natalie Barney and Romaine Brooks, two pivotal figures in the cultural life of Paris at the turn of the century. Natalie and Romaine met in London during World War I and their partnership lasted until Natalie died 52 years later. They were both American expatriates; unconventional, energetic, flamboyant and rich. Natalie was known as 'the wild girl of Cincinnatti' and had numerous affairs with other women: Renée Vivien who nailed shut the windows of her apartment, wrote about the loveliness of death, drank eau de cologne and died of anorexia aged 30; and Dolly Wilde niece of Oscar, who ran up terrible phone bills and di...
