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One Long Tune
"Breau's astonishing virtuosity influenced countless performers, but unfortunately it came at the expense of his personal relationships and happiness. When he was found dead in his apartment building's pool in 1984, police suspected his wife, but no one has ever been charged. Despite Breau's fascinating life story and his musical importance, however, no full-length biography has yet been published - until now. Forbes-Roberts has interviewed more than 200 people, including family members, fellow musicians, and the luthiers who created his instruments, and closely analyzed his recordings. The result is a detailed biography that sheds light on all areas of Breau's fascinating life with a particular emphasis on his evolution as a musician."--Jacket.
One Long Tune
Lenny Breau (1941-1984) was called "the greatest guitarist who ever walked the face of the earth." Breau began playing the instrument at age seven, and went on to master many styles. His virtuosity influenced countless performers, but at the expense of his personal relationships. This book presents Breau's life story and his musical importance.
Alternative Schools in British Columbia 1960-1975
The tumultuous 1960s was an era of the counterculture, political activism, and resistance to authority. Conventions and values were challenged and new approaches to education captured the imaginations of parents, teachers, and students. Reacting against the one-size-fits-all nature of the traditional public school system, groups of parents and teachers in Canada and the United States established alternative schools or “free schools” based on the Progressive, child-centred philosophy of John Dewey and the Romantic ideas of Summerhill founder A.S. Neill. In Alternative Schools in British Columbia, 1960-1975, Harley Rothstein tells the story of ten such schools that arose in the province of...
Prairie Bohemian
"If anything, he was an anti-celebrity. He did not conform to society's ideal of a refined classical musician. He did not even conform to the rhinestone image of a country music star. Nor did he care to. He was not merely a bohemian; he was an ?ber-Bohemian." Until his death in 1982, Edmonton luthier and composer Frank Gay built guitars for several famous musicians, including country stars Johnny Cash, Don Gibson, Webb Pierce, and Hank Snow. He entranced listeners with his singular talent on guitar and lute, and was well known within the music industry. Very few recordings of his work exist, and the sparse accounts of his life and work raise more questions than they answer. In uncovering the story of this private yet charming and often troubled man, Trevor Harrison does a tremendous service to Canadian culture and western music history. Musicians and instrument makers, as well as those interested in western Canadian history or Edmonton's colourful past, will be fascinated by this biography of western Canadian luthier, musician, and guitar virtuoso Frank Gay.
Contemporary Guitar Composers of the Americas
Contemporary Guitar Composers of the Americas is a unique collection of 51 solo works representing 17 composers from the American continents. This anthology addresses continental guitar music; music from North, Central and South America. It features many composers who have helped to enrich its repertoire, giving rise to a diverse palette of styles, textures, rhythms, moods and melodies. A worthwhile addition to the library of any classical guitarist.
The Jazz Masters
The Jazz Masters: Setting the Record Straight is a celebration of jazz and the men and women who created and transformed it. In the twenty-one conversations contained in this engaging and highly accessible book, we hear from the musicians themselves, in their own words, direct and unfiltered. Peter Zimmerman’s interviewing technique is straightforward. He turns on a recording device, poses questions, and allows his subjects to improvise, similar to the way the musicians do at concerts and in recording sessions. Topics range from their early days, their struggles and victories, to the impact the music has had on their own lives. The interviews have been carefully edited for sense and clarit...
"The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance "
In The New Guitarscape, Kevin Dawe argues for a re-assessment of guitar studies in the light of more recent musical, social, cultural and technological developments that have taken place around the instrument. The author considers that a detailed study of the guitar in both contemporary and cross-cultural perspectives is now absolutely essential and that such a study must also include discussion of a wide range of theoretical issues, literature, musical cultures and technologies as they come to bear upon the instrument. Dawe presents a synthesis of previous work on the guitar, but also expands the terms by which the guitar might be studied. Moreover, in order to understand the properties and...
Coda Magazine
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Down East
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Ronald Forbes
This works follows the artist completing the Leverhulme Artist- in-Residence, 2006-2009 at the Scottish Crop Research Institute.
