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Special Sound
This text traces the creation and legacy of the BBC's electronic music studio, the Radiophonic Workshop, in the context of other studios in Europe and America.
The British Television Pilot Episodes Research Guide 1936-2015
A new idea can become an expensive flop for TV executives. So from the earliest days of television, the concept of a pilot episode seemed like a good idea. Trying out new actors; new situations and new concepts before making a series was good economical sense. It was also tax deductible. Sometimes these pilots were shown on television; sometimes they were so awful they were hidden from sight in archives; and sometimes they were excellent one-offs, but a series seemed elusive and never materialised. Chris Perry has always been fascinated by the pilot episode. So many pilots are made annually, but never seen by audiences. Only a handful appear on screen. It's a hidden world of comedy, variety, drama and factual programming. This volume attempts to lift the lid on the world of the TV pilot by revealing the many transmitted and untransmitted episodes made through the decades.
The World is Watching
This text explores the origins and implications of the powerful visual medium of video, crossing national, cultural and political boundaries to present provocative tales. Dennis Redmond's study is rooted in close readings of three video efforts: "The Prisoner" (1967), "The Decalogue" (1988) and "Neon Genesis: Evangelion" (1995).
On The Buses
On The Buses was a classic British situation comedy, created by Ronald Wolfe and Ronald Chesney, which ran for seven series from 1969 to 1973, and introduced a host of much-loved memorable characters. The series followed the ups and downs of life on the buses as portrayed by two work shy-busmen, Stan Butler (played by Reg Varney) and his mate Jack Harper (Bob Grant) as they invented new scams to wind up their long suffering boss, inspector Cyril Blakey Blake (Stephen Lewis). This book tells the whole 'On The Buses' story from its inception through to the three spin-off feature films it spawned. It includes details of cast, crew, locations and the many famous faces and catch phrases which made-up one of the most popular sitcoms ever to appear on our TV screens. On The Buses aired in an era where entertainment was unrestrained by politically correct rules but hilarious scripts and quality acting guaranteed the series a legion of loyal fans around the globe. This book is a must have for anyone interested in learning more about On The Buses an example of British sitcom at its best.
150 Years of Popular Musical Theatre
Covers the development of musicals, from the earliest European operetta styles of France and Germany to the modern musical of the United States and Britain.
A Tanner's Worth of Tune
This book is not an encyclopaedia of the British musical in the twentieth century, but an examination of its progress as it struggled to find an identity. It shows how the British musical has reacted to social and cultural forces, suggesting that some of its leading composers such as Lionel Bart and Julian Slade contributed much more to the genre than has previously been acknowledged. As the British musical veered between opera, light opera, operetta, spectacle with music, kitchen-sink musical, recherché musical, adaptations of classic novels, socially conscious musicals et al., this fresh assessment of the writers and their work offers a new understanding of the art -- publisher description.
Sixties British Pop, Outside in
"Itchycoo Park, 1964-1970-the second volume of Sixties British Pop, Outside In- explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. British songwriters, musicians, and production crews explored form, sound, and subject matter as western society grappled with racism, sexism, war, revolution, and migration in a postcolonial world. As these creators and curators of popular culture combined interests in jazz, folk, blues, Indian ragas, and western classical music, they created sophisticated hybrid forms that redefined pop music. Based on extensive research and drawing on vintage and original interviews, Sixties British Pop, Outside In contextualizes the world of the Beatles through King Crimson in the frameworks of the postwar surge in births that created the Bulge Generation in the UK (and Baby Boomers in America), emergent technologies, English behavior, and the places and spaces in which people created and consumed pop music"--
British Film Catalogue
First published in 2001.The standard work on its subject, this resource includes every traceable British entertainment film from the inception of the "silent cinema" to the present day. Now, this new edition includes a wholly original second volume devoted to non-fiction and documentary film--an area in which the British film industry has particularly excelled. All entries throughout this third edition have been revised, and coverage has been extended through 1994.Together, these two volumes provide a unique, authoritative source of information for historians, archivists, librarians, and film scholars.
