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Novelist, poet, cultural critic, Margaret Atwood is one of the most fascinating, versatile, and productive authors of our time, a superb writer in any genre she chooses to tackle. This book was prepared on the occasion of Atwood's sixtieth birthday in November 1999. Its first aim is therefore to take stock of Atwood's multifarious works and international impact at the height of her creative powers. Secondly, the book serves as a wide-ranging introduction to the writer and her works. Fifteen informative articles written specifically for this volume by Atwood specialists from Canada, the USA, the UK, Germany, and France treat her life and status, her works (up-to-date survey articles on Atwood...
This collection ranges far and wide, as befits the personality and accomplishments of the dedicatee, Geoffrey V. Davis, German studies and exile literature scholar, postcolonialist (if there are ‘specialties’, then Australia, Canada, India, South Africa, Black Britain), journal and book series editor.... The volume opens with essays on cultural theory and practice, proceeds to close analyses of ‘settler colony’ texts from Canada, India, Australia, and New Zealand (drama, fiction, and poetry) as well as Pacific drama and Canadian indigeneity, thence ‘homeward’ to the UK (black drama, Scottish fiction, the music of Morrissey) and to German themes (exile literature; fictions about H...
Social Movements in a Global Context focuses on interpreting the resurgence in popular protest for a growing audience of university students. Most of this new activity is either in response to or makes use of emerging global regimes - hence, the book's emphasis on the global context as well as on strategies for trans-local mobilization. Equally important is the fact that the book adopts a Canadian perspective and highlights, where possible, Canadian case studies. The chapters are organized around an explanatory framework, such as class analysis, or a core analytical question. Some of the chapters deal with historical content, but all make links to the immediate present and attempt to engage students in ongoing debates and struggles. The author makes connections between movements and the state, focusing on the dynamic of co-optation/coercion. The author also pays attention to the spacial dimensions of movement formation and tactics, which are particularly relevant in the present era of globalization.
Manhae (1879-1944), or Han Yongun, was a Korean Buddhist (Son) monk during the era of Japanese colonial occupation (1910-1945). Manhae is a political and cultural hero in Korea, and his works are studied by college students and school children alike. Everything Yearned For is a collection of 88 love poems, evocative of the mystical love poetry of Rumi, and even reminiscent of the work of Pablo Neruda.Though Manahe's poetry can be read allegorically on many levels - political and religious - it is completely unlike any other poetry in Buddhist or secular realm. The first poem, "My Lover's Silence," narrates the lover's departure and establishes the enduring themes of the work: the happiness o...
The 2015 edition of firstwriter.com’s bestselling directory for writers provides details of over 1,200 literary agents, book publishers, and magazines, including revised and updated listings from the 2014 edition, and over 380 brand new entries. Tips and advice are provided by top literary agent Andrew Lownie, of the Andrew Lownie Literary Agency Ltd: named by Publishers Marketplace as the top selling agent worldwide. Subject indexes for each area provide easy access to the markets you need, with specific lists for everything from romance publishers, to poetry magazines, to literary agents interested in thrillers. International markets become more accessible than ever, with listings that c...
Analyzing 30 years of Don McKay's achievements, this critique explores one of the most original bodies of work in contemporary English-language poetry. Emphasizing details of ornithology, botany, weather, industry, and the arts, as well as focusing on varied geographic settings, his poetry opens countless doors for analysis. Fourteen contributors examine the complex contradictions of McKay's work, including nuanced description and intricate metaphor, philosophical phrasing and folksy idiom, madcap humor and elegy.
Cut off in traffic? Bumped without apology on the subway? Forced to listen to a profane conversation in a public space? In today's Western societies, many feel that there has been a noticeable and marked decrease in mutual consideration in both public and private settings. Are we less civil now than in the past? Benet Davetian's masterful study Civility: A Cultural History responds to this question through a historical, social, and psychological discussion of the civility practices in three nations - England, France, and the United States. Davetian's rich, multi-dimensional review of civility from 1200 to the present day provides an in-depth analysis of the social and personal psychology of human interaction and charts a new course for the study and understanding of civility and civil society. Civility addresses major topics in public discourse today regarding the ideals and practices of civility and the possibility of a future civility ethic capable of inspiring cooperation across cultural and national boundaries.
Philip Brett’s groundbreaking writing on Benjamin Britten altered the course of music scholarship in the later twentieth century. This volume is the first to gather in one collection Brett’s searching and provocative work on the great British composer. Some of the early essays opened the door to gay studies in music, while the discussions that Brett initiated reinvigorated the study of Britten’s work and inspired a generation of scholars to imagine "the new musicology." Addressing urgent questions of how an artist’s sexual, cultural, and personal identity feeds into specific musical texts, Brett examines most of Britten’s operas as well as his role in the British cultural establishment of the mid-twentieth century. With some of the essays appearing here for the first time, this volume develops a complex understanding of Britten’s musical achievement and highlights the many ways that Brett expanded the borders of his field.
This study brings together three major areas of interest - history, postmodern fiction, and myth. Whereas neither history and postmodern fiction nor history and myth are strangers to one another, postmodernism and myth are odd bedfellows. For many critics, postmodern thought with its resistance to metanarratives stands in direct and deliberate contrast to myth with its apparent tendency to explain the world by means of neat, complete narratives. There is a strain of postmodern Canadian historical fiction in which myth actually forms a complement not only to postmodernism's suspicion of master-narratives but also to its privileging of those marginal and at times ignored areas of history. The ...
Historic accounts and new material illuminate the creation, early history and artistic intentions of Britten's first opera. The premiere of Peter Grimes on 7 June 1945 announced the emergence of the first great composer of opera in English since Purcell. Surviving documents offer evidence of the complex interaction of differing ideas about the possible shape and content of the new work, most notably the composition draft, which these essays are particularly concerned to illuminate. They juxtapose historic material with fresh studies: three items written by members of theteam involved in the 1945 production are set alongside specially-commissioned articles, with the three-fold intention of pr...