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Conversations with John Le Carré
Collected interviews in which the acclaimed writer talks about his craft, the nature of language, the literature that he loves, and the ways in which his own life influences the creation of, and characters within, his novels
Debrett's Peerage and Baronetage 2019
Debrett's Peerage & Baronetage is the only up-to-date printed reference guide to the United Kingdom's titled families: the hereditary peers, life peers and peeresses, and baronets, and their descendants who form the fascinating tapestry of the peerage. This is the first ebook edition of Debrett's Peerage &Baronetage, and it also contains information relating to:The Royal FamilyCoats of ArmsPrincipal British Commonwealth OrdersCourtesy titlesForms of addressExtinct, dormant, abeyant and disclaimed titles.Special features for this anniversary edition include:The Roll of Honour, 1920: a list of the 3,150 people whose names appeared in the volume who were killed in action or died as a result of injuries sustained during the First World War.A number of specially commissioned articles, including an account of John Debrett's life and the early history of Debrett's Peerage and Baronetage, a history of the royal dukedoms, and an in-depth feature exploring the implications of modern legislation and mores on the ancient traditions of succession.
Disgust and Desire
Monsters have taken many forms across time and cultures, yet within these variations, monsters often evoke the same paradoxical response: disgust and desire. We simultaneously fear monsters and take pleasure in seeing them, and their role in human culture helps to explain this apparent contradiction. Monsters are created in order to delineate where the acceptable boundaries of action and emotion exist. However, while killing the monster allows us to cast out socially unacceptable desires, the prevalence of monsters in both history and fiction reveals humanity’s desire to see and experience the forbidden. We seek, write about, and display monsters as both a warning and wish fulfilment, and monsters, therefore, reveal that the line between desire and disgust is often thin. Looking across genres, subjects, and periods, this book examines what our conflicted reaction to the monster tells us about human culture.
Canadiana
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The Silent Game
The Silent Game traces the history of spy writers and their fiction from creator William Le Queux, of the Edwardian age, to John le Carré, of the Cold War era. David Stafford reveals the connections between fact and fiction as seen in the lives of writers with experience in intelligence, including John Buchan, Compton Mackenzie, Somerset Maugham, Ian Fleming, and Graham Greene. Le Queux used his spy fiction as xenophobic propaganda before and after World War I, and le Carré's novels have provided reflections on the Cold War and the decline of Britain's influence. Anxieties about the decline of the American “empire” have helped stimulate a more vigorous American literature of espionage, providing an index of contemporary American concerns about power relations. As Stafford suggests, the genre of espionage fiction rarely intends to document the real world of intelligence. Rather, it provides a popular vehicle for exploring themes of imperial decline, international crisis, and impending war.
Understanding John Le Carré
John Cobbs establishes that contemporary English novelist John le Carre's fiction transcends the genre of espionage, and that le Carre is preeminently a social commentator who writes novels of manners. Cobbs analyzes each of le Carre's novels and offers a biographical sketch, describing le Carre's often overlooked academic success and reputation as a once member of British Intelligence.
