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Queer linguistics – in its position as both a linguistic science of and for queer folk – is inherently agitating to the disciplinary anxiety of a general linguistic science. It represents, as all queer science does, a disruption of the normative modes of knowledge production and a displacement of academic authority. This collection reconsiders the placement of the queer subject, both as the researcher and as the researched, within and beyond the discipline and provides an intellectual space for the interdisciplinary (and sometimes anti-disciplinary) linguistic science of gender and sexuality. In three sections, it respectively considers the development of hyper-speciated queer linguistic subfields, the interdisciplinarity of intersectional approaches to queer language, and the institution of queer linguistic science both within and beyond the academy. Taken together, the essays in this collection confront the scientific and institutional discipline of linguistics from a queer vantage point, one which is perhaps inherently interdisciplinary in its formulation.
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A gripping, richly imagined fantasy set in an alternate ancient African world in which a Black girl finds her power and saves her people from evil, by the Coretta Scott King/John Steptoe New Talent Award-winning author of Black Panther: The Young Prince. In the land of Alkebulan, twelve-year-old Asha is an orphan, raised by Madame S, the proprietor of a traveling carnival. When Madame S is attacked by ghoulish creatures, she manages to tell Asha before she dies, “Seek the Underground Kingdom, where the black flowers bloom.” Asha doesn’t understand the mysterious words, but they launch her onto a page-turning quest to protect her people and stop an ancient evil. Along the way, she uncovers shocking secrets about the family she never knew and begins to find her place in the world as she discovers her own untapped powers.
Includes entries for maps and atlases.
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