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The False Traitor
The nineteenth-century Métis politician and mystic Louis Riel has emerged as one of the most popular - and elusive - figures in Canadian culture. Since his hanging for treason in 1885, the self-declared David of the New World has been depicted variously as a traitor to Confederation; a French-Canadian and Catholic martyr; a bloodthirsty rebel; a pan-American liberator; a pawn of shadowy white forces; a Prairie political maverick; a First Nations hero; an alienated intellectual; a victim of Western industrial progress; and even a Father of Confederation. Albert Braz synthesizes the available material by and about Riel, including film, sculpture, and cartoons, as well as literature in French ...
Writing Between the Lines
The essays in Writing between the Lines explore the lives of twelve of Canada's most eminent anglophone literary translators, and delve into how these individuals have contributed to the valuable process of literary exchange between francophone and anglophone literatures in Canada. Containing original, detailed biographical and bibliographical material, Writing between the Lines offers many new insights into the literary translation process and the diverse roles of the translator as social agent. The first text on Canadian anglophone translators, it makes a major contribution in the areas of literary translation, comparative literature, Canadian literature, and cultural studies.
The Cambridge Companion to Canadian Literature
A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.
French Twentieth Bibliography
This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.
Telephone Directory
Each issue includes a classified section on the organization of the Dept.
La renaissance des cultures autochtones
Les textes de cet ouvrage invitent, chacun à leur manière, à reconsidérer les façons par lesquelles l’expression culturelle autochtone est aujourd’hui entendue, comprise et interprétée.
