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Annotation A path-breaking study of the Jews in France from the time of the philosophies through the Revolution and up to Napoleon. Examines how Jews were thought of during this time, by both French writers and the Jews themselves.
Mendoza the Jew combines a graphic history with primary documentation and contextual information to explore issues of nationalism, identity, culture, and historical methodology through the life story of Daniel Mendoza. Mendoza was a poor Sephardic Jew from East London who became the boxing champion of Britain in 1789. As a Jew with limited means and a foreign-sounding name, Mendoza was an unlikely symbol of what many Britons considered to be their very own "national" sport.
In the analysis of the debates in Germany over Jews, Judaism and Jewish emancipation in the late 18th and 19th centuries, Jonathan M. Hess reconstructs a crucial chapter in the history of secular anti-Semitism. He examines not only the thinking of German intellectuals of the time but also that of Jewish writers, revealing the connections between anti-Semitism and visions of modernity, and the Jewish responses to the treat posed by these connections.
This book presents ten selections from the most important scholarship on the French Revolution over the past quarter century, introduced and contextualized for student readers. Historians typically categorize the historiography of the French Revolution according to each author's approval or disapproval of the Revolution, political agenda (for example Marxist, liberal, conservative, or feminist), or methodology (for example social, political, or cultural history). This book demonstrates the inadequacy of these categories of analysis for a nuanced understanding of the Revolution and emphasizes the surprising connections between historians typically seen simply as opponents in a debate. In its thorough introduction, The French Revolution: The Essential Readings demonstrates the success of an eclectic, interdisciplinary approach to this central period in modern European history and the larger relevance of the historiography to the humanities more generally.
Bertolt Brecht turned to cabaret; Ariane Mnouchkine went to the circus; Joan Littlewood wanted to open a palace of fun. These were a few of the directors who turned to popular theatre forms in the last century, and this sourcebook accounts for their attraction. Popular theatre forms introduced in this sourcebook include cabaret, circus, puppetry, vaudeville, Indian jatra, political satire, and physical comedy. These entertainments are highly visual, itinerant, and readily understood by audiences. Popular Theatre: A Sourcebook follows them around the world, from the bunraku puppetry of Japan to the masked topeng theatre of Bali to South African political satire, the San Francisco Mime Troupe'...
As the magazine of the Texas Exes, The Alcalde has united alumni and friends of The University of Texas at Austin for nearly 100 years. The Alcalde serves as an intellectual crossroads where UT's luminaries - artists, engineers, executives, musicians, attorneys, journalists, lawmakers, and professors among them - meet bimonthly to exchange ideas. Its pages also offer a place for Texas Exes to swap stories and share memories of Austin and their alma mater. The magazine's unique name is Spanish for "mayor" or "chief magistrate"; the nickname of the governor who signed UT into existence was "The Old Alcalde."
Play smart. Play to win. Play like a champion.
The Jews of Modern France: Images and Identities synthesizes much of the original research on modern French Jewish history published over the last decade. Themes include Jewish self-representation and discursive frameworks, cultural continuity and rupture from the eve of emancipation to the contemporary period, and the impact of France's role as a colonial power. This volume also explores the overlapping boundaries between the very categories of "Jewish" and "French." As a whole, this volume focuses on the shifting boundaries between inner-directed and outer-directed Jewish concerns, behaviors, and attitudes in France over the course of the nineteenth and twentieth centuries. Contributors highlight the fluidity of French Jewish identity, demonstrating that there is no fine line between communal insider and outsider or between an internal and external Jewish concern.
First Published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
The author discusses how religious groups, especially Jews, Mormons and Jesuits, were labeled as foreign and constructed as political, moral and national threats in Scandinavia in different periods between c. 1790 and 1960. Key questions are who articulated such opinions, how was the threat depicted, and to what extent did it influence state policies towards these groups. A special focus is given to Norway, because the Constitution of 1814 included a ban against Jews (repelled in 1851) and Jesuits (repelled in 1956), and because Mormons were denied the status of a legal religion until freedom of religion was codified in the Constitution in 1964. The author emphasizes how the construction of ...