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Winner of the 2019 Arthur Ellis Award for Best Crime Novel As 1995 dawns in the North of Ireland, Belfast is a city of army patrols, bombed-out buildings, and “peace walls” segregating one community from the other. But the IRA has called a ceasefire. So, it’s as good a time as any for Monty Collins and Father Brennan Burke to visit the city: Monty to do a short gig in a law firm, and Brennan to reconnect with family. And it’s a good time for Brennan’s cousin Ronan to lay down arms and campaign for election in a future peacetime government. But the past is never past in Belfast, and it rises up to haunt them all: a man goes off a bridge on a dark, lonely road; a rogue IRA enforcer i...
When women are erased from history, what are we left with? Between 1912 and 1922, Ireland experienced sweeping social and political change, including the Easter Rising, World War I, the Irish Civil War, the fight for Irish women's suffrage, the founding of the Abbey Theatre, and the passage of the Home Rule Bill. In preparation for the centennial of this epic decade, the Irish government formed a group of experts to oversee the ways in which the country would remember this monumental time. Unfortunately, the group was formed with no attempt at gender balance. Women and the Decade of Commemorations, edited by Oona Frawley, highlights not only the responsibilities of Irish women, past and pres...
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John Millington Synge was a leading literary figure of the Irish Revival who played a significant role in the founding of Dublin's Abbey Theatre in 1904. This Companion offers a comprehensive introduction to the whole range of Synge's work from well-known plays like Riders to the Sea, The Well of the Saints and The Playboy of the Western World, to his influential prose work The Aran Islands. The essays provide detailed and insightful analyses of individual texts, as well as perceptive reflections on his engagements with the Irish language, processes of decolonisation, gender, modernism and European culture. Critical accounts of landmark productions in Ireland and America are also included. With a guide to further reading and a chronology, this book will introduce students of drama, postcolonial studies, and Irish studies as well as theatregoers to one of the most influential and controversial dramatists of the twentieth century.
Using the IRA as a case-study, the book offers a systematic, in-depth, analysis of the effects of the underground response to informers, providing an empirical and theoretical account of the causes, forms, and functions. The book aims to expand the study of punishment and society and demonstrate its utility to the understanding of non-state actors
This book charts the journey, in terms of both stasis and change, that masculinities and manhood have made in Irish drama, and by extension in the broader culture and society, from the 1960s to the present. Examining a diverse corpus of drama and theatre events, both mainstream and on the fringe, this study critically elaborates a seismic shift in Irish masculinities. This book argues, then, that Irish manhood has shifted from embodying and enacting post-colonial concerns of nationalism and national identity, to performing models of masculinity that are driven and moulded by the political and cultural practices of neoliberal capitalism. Masculinities and Manhood in Contemporary Irish Drama c...
Discusses the respiratory system and its functions.
This collection of essays aims to provide new insights into the debate on postnationalism in Ireland from the perspective of narrative writing.
Essays on contemporary Irish theatre