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As Alainn and Killian O'Brien begin their married life together, Alainn encounters many new and unexpected challenges. Stricken by the disturbing, reoccurring vision of Killian's death, she desperately seeks a way to prevent it from happening. In hope of providing a normal life for their unborn child Alainn turns from her own magical abilities, but soon realizes that doing so may endanger everyone she cares for. Set in 16th century Ireland, A Chieftain's Wife continues the captivating story of Alainn and Killian's passionate love. Past indiscretions, deep jealousy, a vindictive witch, and tragic hardships all threaten to disrupt Killian and Alainn's happiness and future together.
An edge of your seat killer thriller, really.
Hallowe'en is dead!The murder of a man famously known as "Mr. Hallowe'en" has Detective Andrew Lennox searching for the only witness-a troubled young woman who believes herself to be the reincarnation of Bridget Bishop, a supposed witch hanged centuries ago. This afflicted girl is hiding somewhere in Salem and unwilling to come forward, but Lennox is not alone in his search-can he find her before the killer does?Rory O'Brien grew up in New England, surrounded by books, history, and the long shadows of Poe, Hawthorne, and Lovecraft.He is the author of two previous novels, Gallows Hill and Summerland. When not writing, he gives tours of Salem and talks on various topics, including the infamous Salem witch trials. He currently lives in Salem, MA, but left his heart in Providence, RI... where it was burned on a rock.Visit roryobrienbooks.com for more info.
Nobody thought Rory O'Connor would make it – written off as 'thick' at school, he struggled to find a career he felt he could succeed in. When a hot tip led to a win on the horses it was the beginning of a dangerous spiral into a gambling addiction that gnawed away at his self-esteem even further. How did the man who thought he had nothing to live for go on to become a stand-up comedian selling out venues around Ireland and reaching 800,000 people through his social media platforms? This is Rory's Story. Told with his trademark humour, this straight-talking memoir is a book for anyone who wants to be inspired by an ordinary man's mental health journey.
Lia, her husband, Harry, and their daughter, Iris, are a perfectly balanced family of three with a happy life. But when a devasting diagnosis threatens to derail their lives, the world around them begins to warp and transform, and Lia's carefully hidden secrets come rushing out.
The Making of Ireland by James Lydon provides an accessible history of Ireland from the earliest times. James Lydon recounts, in colourful detail, the waves of settlers, missionaries and invaders which have come to Ireland since pre-history and offers a long perspective on Irish history right up to the present time. This comprehensive survey includes discussion of the arrival of St. Patrick in the fifth century and Henry II in the twelfth, as well as that of numerous soldiers, traders and craftsmen through the ages. The author explores how these settlers have shaped the political and cultural climate of Ireland today. James Lydon charts the changing racial mix of Ireland through the ages which shaped the Irish nation. The author also follows Ireland's long and troubled entanglement with England from its beginning many centuries ago. The Making of Ireland offers a complete history in one volume. Through a predominantly political narrative, James Lydon provides a coherent and readable introduction to this vital complex history.
An adventurous diplomat’s “engrossing and often darkly humorous” memoir of working with Iraqis after the fall of Saddam Hussein(Publishers Weekly). In August 2003, at the age of thirty, Rory Stewart took a taxi from Jordan to Baghdad. A Farsi-speaking British diplomat who had recently completed an epic walk from Turkey to Bangladesh, he was soon appointed deputy governor of Amarah and then Nasiriyah, provinces in the remote, impoverished marsh regions of southern Iraq. He spent the next eleven months negotiating hostage releases, holding elections, and splicing together some semblance of an infrastructure for a population of millions teetering on the brink of civil war. The Prince of the Marshes tells the story of Stewart’s year. As a participant he takes us inside the occupation and beyond the Green Zone, introducing us to a colorful cast of Iraqis and revealing the complexity and fragility of a society we struggle to understand. By turns funny and harrowing, moving and incisive, it amounts to a unique portrait of heroism and the tragedy that intervention inevitably courts in the modern age.
For the past seventy years the discipline of film studies has widely invoked the term national cinema. Such a concept suggests a unified identity with distinct cultural narratives. As the current debate over the meaning of nation and nationalism has made thoughtful readers question the term, its application to the field of film studies has become the subject of recent interrogation. In The Myth of an Irish Cinema, Michael Patrick Gillespie presents a groundbreaking challenge to the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, Gillespie argues, filmmakers can no longer ...