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Irish Pedigrees
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New Catholic World
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Monasteries and Society in the British Isles in the Later Middle Ages
In recent years there has been an increasing interest in the history of the numerous houses of monks, canons and nuns which existed in the medieval British Isles, considering them in their wider socio-cultural-economic context; historians are now questioning some of the older assumptions about monastic life in the later Middle Ages, and setting new approaches and new agenda. The present volume reflects these new trends. Its fifteen chapters assess diverse aspects of monastic history, focusing on the wide range of contacts which existed between religious communities and the laity in the later medieval British Isles, covering a range of different religious orders and houses. This period has often been considered to represent a general decline of the regular life; but on the contrary, the essays here demonstrate that there remained a rich monastic culture which, although different from that of earlier centuries, remained vibrant. CONTRIBUTORS: KAREN STOBER, JULIE KERR, EMILIA JAMROZIAK, MARTIN HEALE, COLMAN O CLABAIGH, ANDREW ABRAM, MICHAEL HICKS, JANET BURTON, KIMM PERKINS-CURRAN, JAMES CLARK, GLYN COPPACK, JENS ROHRKASTEN, SHEILA SWEETINBURGH, NICHOLAS ORME, CLAIRE CROSS
The Book of Hours and the Body
This book explores our corporeal connections to the past by considering what three theoretical approaches - somaesthetics, posthumanism, and the uncanny - may reveal about both premodern and postmodern terms of embodiment. It takes as its point of departure a selection of fifteenth-century northern European Books of Hours - evocative objects designed at once to inscribe social status, to strengthen religious commitment, to entertain, to stimulate emotions, and to encourage discomfiting self-scrutiny. Studying their kaleidoscopically strange, moving, humorous, disturbing, and imaginative pages not only enables a window into relationships among bodies, images, and things in the past but also in our own internet era, where surprisingly popular memes drawn from such manuscripts constitute a part of our own visual culture. In negotiating theoretical, post-theoretical, and historical concerns, this book aims to contribute to an emerging and much-needed intersectional social history of art. It will be of interest to scholars working in art history, medieval studies, Renaissance/early modern studies, gender studies, the history of the book, posthumanism, aesthetics, and the body.
Annals of the Kingdom or Ireland
Reprint of the original, first published in 1856.
Catholic World
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