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A sad young woman boards a train in Moscow. Bound for Mongolia, she's trying to leave a broken relationship as far behind her as she can. Wanting to be alone, she chooses an empty compartment - No 6. Her solitude is soon shattered by the arrival of a fellow passenger: Vadim Nikolayevich Ivanov, a grizzled, opinionated and foul-mouthed ex-soldier, 'a cauliflower-eared man in a black workingman's overcoat and a white ermine hat'. Vadim fills the compartment with his long and colourful stories, recounting his sexual conquests and violent fights in lurid detail. At first, the young woman is not so much shocked as disgusted by him, and she stands up to him, throwing a boot at his head. But though...
A bold, dark-hued novel by a writer who “conjures beauty from the ugliest of things” (The Wall Street Journal) In the final twilit moments of her life, an elderly woman looks back on her years in the thrall of fascism and Nazism. Both her authoritarian tendencies and her ecstatic engagement with the natural world are vividly and terrifyingly evoked in The Colonel’s Wife, an astonishing and brave novel that resonates painfully with our own strained political moment. At once complex and hideous, sexually liberated and sympathetic to the darkest of political movements, the narrator describes her childhood as the daughter of a member of the right-wing Finnish Whites before World War II, an...
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Thanks to Rosa Liksom, post-punk writing is alive and well in Finland. Her vignettes on contemporary urban living have made her the representative writer of her generation. Her characters work play and drink hard and have little time to wallow in self-indulgence. Like the film maker Karusmaki, Rosa Liksom portrays a generation left high and dry by the post-war economic 'miracle'. No-hopers for whom paradise is drugs and cheap drink in Copenhagen.
This thoughtful spy novel cum love story is set mainly in Estonia during the dying days of the Soviet Union, but also in Russia, Finland, and Sweden. A group of young pro-independence dissidents devise a scheme for smuggling copies of KGB files out of the country, and their fates become entangled, through family and romantic ties, with security services never far behind them. Multiple viewpoints evoke the curious minutiae of everyday life, offer wry observations on the period through personal experience, and ask universal questions about how interpersonal relationships are affected when caught up in momentous historical changes. This sometimes wistful examination of how the Estonian Republic was reborn speaks also of the courage and complex chemistry of those who pushed against a regime whose then weakness could not have been known.
"Much of this book is about loneliness. Yet its pages are bracingly companionable. It is one of the friendliest books ever written. It is a superb piece of autobiography, testimony that cannot be impeached. While it is a statement of an American tragedy, it has laughter, brevity, style; as a book to pass the time away with, it is in a class with the best fiction." — Carl Sandburg, New York World "Nothing half as rewarding has come down the highway of books about thieves, tramps, murderers, bootleggers and crooks in years " — New Republic "I believe Jack Black has written a remarkable book; it is vivid and picturesque; it is not fiction; it is a book that was needed and it should be widel...
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Mental and material reconstruction was an ongoing process after World War II, and it still is. This volume combines a detailed treatment of post-war cultural reconstruction in Finnish Lapland – a region on the geographical and historical margins of its nation-state – with comparative case studies of silent post-war memory from other European countries The contributors shed light on key aspects of cultural reconstruction generally: disruptions of national narratives, difficulties of post-war cultural demobilisation, sites of memory, visual narratives of post-war reconstruction, and manifestations of trans-generational experiences of cultural reconstruction. Exploration of the less conspic...
This book examines phenomena from Finnish and Finnish-Swedish literature written in the years between the 1980s and the first decade of the new millennium. Its objective is to study this interesting era of literary history in Finland and to sketch some possible directions for future development by identifying literary turning points which have already occurred.
Orphaned into an unforgiving foster home and raised as an outsider, Weird-Eye shoulders her unflattering nickname. She relies on her vivid imagination to sustain her work as a midwife bringing newborns into the world while World War II overruns her native Finland, desecrating life. She finds herself drawn to the handsome, otherworldly Johannes Angelhurst, a war photographer working for the SS. To be near him, Weird-Eye--whom Johannes lovingly calls Wild-Eye--volunteers to serve as a nurse at the prison camp where he has been assigned. From the brutality of the camps to the splendor of the aurora borealis above the Arctic Sea, The Midwife tells of a stormy romance, the desolate beauty of a protective fjord, and the deeply personal battles waged as World War II came to an end.