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The Body That I Am In
Rosemary Watson is a 16-year-old half Dominican and half African American female, spunky, impulsive dreamer, whose fierce deviation to her mother is threatened by Rosemary now living with her father and his live-in girlfriend. Rosemary’s world is surrounded with family lies and secrets, and the fact that her mother is in a mental hospital. Rosemary’s siblings have long accepted their mother's placement in the mental hospital and their current living situation. The fact that Rosemary’s mother could come home at any time leads to Rosemary’s dream that one day her mother can walk through the door and rescue them all. Determined to keep the hope alive of her one day reuniting with her mother, Rosemary schemes up “operation lies and secrets”, a sure-fire plan to expose the people who put her mother in the mental hospital. Just as Rosemary succeeds with step one of her plans, some secrets are revealed and suddenly everything in Rosemary’s world is in question.
Bachelors
These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" Since the 1970s Rosalind Krauss has been exploring the art of painters, sculptors, and photographers, examining the intersection of these artists concerns with the major currents of postwar visual culture: the question of the commodity, the status of the subject, issues of representation and abstraction, and the viability of individual media. These essays on nine women artists are framed by the question, born of feminism, "What evaluative criteria can be applied to women's art?" In the case of surrealism, in particular, some have claimed that surrealist w...
Remembering Morven and the Old 660th district
Co. E was part of Symon's Regiment, 1st Regiment, and commanded by Angus Morrison, recently Ordinary of our county. They went by rail from Thomasville to the sand walled artillery fort on the Great Ogeechee, protecting a vital railroad bridge, just upriver, from federal gunboats. Under the higher command of Gen. Lafayette McLaws and the post command of Major Anderson of nearby Lebanon Plantation, they faced Sherman's huge well armed forces who needed to punch through to obtain supplies from the federal fleet. Co. E had 47 men on duty when Sherman's much larger force attacked late on Dec. 13, 1864.
The Originality of the Avant-Garde and Other Modernist Myths
Co-founder and co-editor of October magazine, a veteran of Artforum of the 1960s and early 1970s, Rosalind Krauss has presided over and shared in the major formulation of the theory of postmodernism. In this challenging collection of fifteen essays, most of which originally appeared in October, she explores the ways in which the break in style that produced postmodernism has forced a change in our various understandings of twentieth-century art, beginning with the almost mythic idea of the avant-garde. Krauss uses the analytical tools of semiology, structuralism, and poststructuralism to reveal new meanings in the visual arts and to critique the way other prominent practitioners of art and literary history write about art. In two sections, "Modernist Myths" and "Toward Postmodernism," her essays range from the problem of the grid in painting and the unity of Giacometti's sculpture to the works of Jackson Pollock, Sol Lewitt, and Richard Serra, and observations about major trends in contemporary literary criticism.
One Place after Another
A critical history of site-specific art since the late 1960s. Site-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. In recent years, however, the presumption of unrepeatability and immobility encapsulated in Richard Serra's famous dictum "to remove the work is to destroy the work" is being challenged by new models of s...
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