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Maratona Jurídica II
O MARATONA JURÍDICA II – CESPE/CEBRASPE -VUNESP, seguindo a linha do MARA-TONA JURÍDICA - CEBRASPE, FCC e VUNESP , foi pensado e desenvolvido, com muito carinho e, acima de tudo, com muito empenho, dedicação e maestria de todos os autores, os quais possuem vasta experiência em certames da Magistratura estadual e do Ministério Público estadual. A obra MARATONA JURÍDICA II - CESPE/CEBRASPE -VUNESP está direcionada ao tema dos concursos públicos, que se trata da reunião das questões concernentes as provas realizadas no interregno 2021/2022, dos certames públicos para provimento de vagas de Juiz de Direito e de Promotor de Justiça, organizados pelas Bancas CESPE/CEBRASPE e VUNESP...
Maratona Jurídica III
O MARATONA JURÍDICA III - FCC e FGV, seguindo a linha do Maratona Jurídica - CEBRASPE, FCC e VUNESP e do Maratona Jurídica II – CESPE/CEBRASPE e VUNESP, foi pensado e desenvolvido, com muito carinho e, acima de tudo, com muito empenho, dedicação e maestria de todos os autores, os quais possuem vasta experiência em certames da Magistratura estadual e do Ministério Público estadual. A obra Maratona Jurídica III - FCC e FGV está direcionada ao tema dos concursos públicos, que se trata da reunião das questões concernentes as provas realizadas no interregno 2021/2022, dos certames públicos para provimento de vagas de Juiz de Direito e de Promotor de Justiça, organizados pelas Ban...
MARATONA JURÍDICA - CESPE, FCC e VUNESP
A rotina do estudante para concurso, pode parecer muitas vezes solitária, e nos traz a sensação de que estamos isolados e distantes de tudo. Porém, quem experimenta essa rotina percebe que esse isolamento é necessário para que os resultados se produzam de modo satisfatório, qual seja, a aprovação.. No entanto, essa sensação de “solidão” pode estar com os dias contados, visto que está chegando uma ferramenta importante: o compilado da MARATONA JURÍDICA CESPE, FCC E VUNESP cuja proposta permitirá que juntos possamos estudar e construir a cada dia um novo passo rumo à tão sonhada aprovação no concurso público. A MARATONA JURÍDICA CESPE, FCC E VUNESP se apresenta como um...
Getting Intimate
This thesis focuses on the intersections of masculinity, old age and sexuality from the perspectives of old men themselves, how they understand and experience sex and sexuality in later life. The study uses qualitative in-depth interviews and body diaries, an exploratory method that asked men write about their bodies in everyday life. Twenty-two men, born between 1922 and 1942, participated in the study. The aim of the thesis is two-fold: firstly, to study sexual subjectivities of old men, how old men articulate and make meaning around sexuality in later life. Secondly, the study aims to explore theoretically what a male body may become in relation to ageing; in what ways the ageing male bod...
Type Mineralogy Of Brazil
This is a compilation of bibliographic (historical and descriptive) information for the minerals first described from Brazil; it includes both valid and invalid, discredited species, unnamed, unidentified, problematic minerals, and so on. This work brings together as much data as possible concerning type mineral species. It will save future researchers a lot of work because it contains data from many publications that are difficult to obtain.
Brazilian Portuguese, Syntax and Semantics
This book opens with Angelika Kratzer and Luigi Rizzi talking about contemporary issues, such as non-recursiveness of focus and the semantics of topics. The chapters climb down the spine from the left periphery to DP: the value of subjunctive across the history of German, expressive expressions in Brazilian Portuguese, left and right dislocation and the speaker's perspective in Italian, Brazilian double subjects and left dislocated topic, long versus short wh-movement in Brazilian Portuguese and Quebec French, low adverbs and the raising of the verb in Brazilian Portuguese, ellipsis and null objects in Brazilian and European Portuguese, and bare singulars in Brazilian Portuguese. The chapters propose original accounts for language variation and historical changes, most of them focusing on Brazilian Portuguese, a challenge to syntax and semantics. Thus, the volume contributes to Brazilian and Portuguese Linguistics, as well as to general and contemporary research on syntax and semantics of natural languages.
Seeing Voices
'Seeing Voices is both a history of the deaf and an account of the development of an extraordinary and expressive language' – Evening Standard Imaginative and insightful, Seeing Voices by Oliver Sacks offers a way into a world that is, for many people, alien and unfamiliar – for to be profoundly deaf is not just to live in a world of silence, but also to live in a world where the visual is paramount. In this remarkable book, Sacks explores the consequences of this, including the different ways in which the deaf and the hearing impaired learn to categorize their respective worlds – and how they convey and communicate those experiences to others.
Context as Other Minds
Givon's new book re-casts pragmatics, and most conspicuously the pragmatics of sociality and communication, in neuro-cognitive, bio-adaptive, evolutionary terms. The fact that context, the core notion of pragmatics, is a framing operation undertaken on the fly through judgements of relevance, has been well known since Aristotle, Kant and Peirce. But the context that is relevant to the pragmatics of sociality and communication is a highly specific mental operation — the mental modeling of the interlocutor's current, rapidly shifting belief-and-intention states. The construed context of social interaction and communication is thus a mental representation of other minds. Following a condensed...
Bruno Dunley
The most comprehensive publication on the artist's production, featuring about 100 works, created within the last ten years. Bruno Dunley's (b. Petrópolis, Brazil 1984, lives and works in São Paulo) works depart from encountered images and an analysis of the nature of painting in which linguistic codes, such as gesture, plan, surface, and representation, are understood as an alphabet, a shared vocabulary. Recently, Dunley's practice turned to gestural abstraction, without, however, leaving aside the representation of everyday objects. This is a daring project from the editorial point of view. The works are shown from the same viewing angle, with a bottom wall and a residual margin of a con...
1822-1865
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