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Unlike most boys growing up, Valentino Garavani never wanted to be a fireman, a policeman, a forest ranger, or an airline pilot.
Camille Rose Garcia's world is a beautiful place. It is the ballroom of an Empire, a forest of aquamarine jewels, a place where cream-layered cakes, crystal castles and opiate abundance serve to sedate the masses. but as the telescope retracts, the glossy veneer of privelege falls away to reveal another reality. Machine guns and machetes decorate the landscape alongside exploding poppies. Deer and princesses hand suspensefully in a cloud of malaise and disbelief becomes the ether of the living.
Perhaps nowhere in America did three distinct and diverse cultures create such a colorful tapestry of the social fabric which forms the backdrop of this book. "Bulldogs Forever" is a history of a New Mexico school, Albuquerque High School, from its founding in 1879 to the author's graduation in 1954. The book effectively relates the reflections of teenagers from the waning pioneer days of the late 19th century to the Golden Era that followed World War II. The author, an outstanding athlete, relates how the team sports of football, basketball and baseball played a major role in the feeling of togetherness, belonging and accomplishment in a school of culturally diverse students. "Bulldogs Forever" pays tribute to teachers, coaches, teammates and students in a nostalgic look at high school life.
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Glamour is one of the tantalizing and bewitching aspects of contemporary culture - but also one of the most elusive. This book captures the excitement and sex appeal of glamour while exposing its mechanisms and exploring its sleazy and sometimes tragic underside.
For over 25 years, Edward Colver has documented the Soutehrn California punk rock scene. This book serves not only as a testament to his impressive career. Photos of bands include Christian Death, the Vandals. Agent Orange, Circle Jerks and countless others. This is atimeless coffee table of an important underground photographer. Edward Colver was the preeminent Los Angeles Punk photographer.' - Steven Blush, author of American Hardcore.'
Fashion is all around us: we see it, we buy it, we read about it, but most people know little about fashion as a business. Veronica Manlow considers the broader signifi cance of fashion in society, the creative process of fashion design, and how fashion unfolds in an organizational context where design is conceived and executed. To get a true insider's perspective, she became an intern at fashion giant Tommy Hilfi ger. Th ere, she observed and recorded how a business's culture is built on a brand that is linked to the charisma and style of its leader. Fashion firms are not just in the business of selling clothing along with a variety of sidelines. Th ese companies must also sell a larger con...
Shadows on the Land is the third and final volume of the Corrales Valley Trilogy. The story resumes near the turn of the twentieth century, and follows the final tragedy of the Bonneau brothers and the coming of age of Gaetano Perna. After being wounded in the trenches of France, young James Parrish returns home to marry lovely Emily MacKenzie. They move a small herd onto Corrales land and put down roots as the first Anglos in the village. With the help of her husband’s grizzled cowhands, Emily learns the ranching business. In the ‘20s and ‘30s, bootlegging and racial hatred impact upon the people of the village. Little Rueben, the lame son of Amos Apodaca is helped by the infamous Al ...
The hilarious spaghetti-and-meatball style caricature art of Basil Wolverton has been a huge influence on such art luminaries as Robert Crumb, Ed "Big Daddy" Roth, Robert Williams, and Drew Friedman. This publication of represents the very first time that the work of one of comicdom's major legacies is presented in a fine art tome. The entire book is photographed in full color from the original artwork. The majority of the work has never been published before. Includes essays by Glenn Bray, Basil's son and an artist, Monte Wolverton, and art writer Doug Harvey.
Bands like R.E.M., U2, Public Enemy, and Nirvana found success as darlings of college radio, but the extraordinary influence of these stations and their DJs on musical culture since the 1970s was anything but inevitable. As media deregulation and political conflict over obscenity and censorship transformed the business and politics of culture, students and community DJs turned to college radio to defy the mainstream—and they ended up disrupting popular music and commercial radio in the process. In this first history of US college radio, Katherine Rye Jewell reveals that these eclectic stations in major cities and college towns across the United States owed their collective cultural power t...