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Rose Finn-Kelcey
This catalogue marks British sculptor, Rose Finn-Kelcey's most comprehensive exhibition in over 10 years. Comprising three new sculptural installations made partly in response to a recent residency and tour of China. Typically for Finn-Kelcey, the use and misuse of language provides the focus for the exhibition. Applying her characteristic irony and subversive wit, Finn-Kelcey highlights the perils of interpretation when Chinese characters collide and are conversely assimilated into new and alien contexts. Appropriating street signage, fairground art and shop boarding, this exhibition demonstrates the extent and invention that has come to characterise Finn-Kelcey's practice. Published on the occasion of the artist's solo exhibition at Milton Keynes Gallery, December 2006 - January 2007.
Rose Finn-Kelcey
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Rose Finn-Kelcey
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Rose Finn-Kelcey
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Slow Art
Introduction : marking time -- What is slow art? (when images swell into events and events condense into images) -- Living pictures -- Before slow art -- Slow art emerges in modernity I : secularization from Diderot to Wilde -- Slow art emerges in modernity II : the great age of speed -- Slow fiction, film, video, performance, 1960 to 2010 -- Slow photography, painting, installation art, sculpture, 1960 to 2010 -- Angel and devil of slow art
The Live Art Almanac
Drawing together all kinds of writing about and around Live Art, The Live Art Almanac is both a useful resource and a great read for artists, writers, students and others interested in the field of interdisciplinary, performance-based art. The Live Art Almanac Volume 4 is? a collection of ‘found’ writings about and around Live Art that were originally published, shared, sent, spread and read between January 2012 and December 2014. Selected through recommendations and an open call for submissions, Volume 4 reflects the dynamic, international contexts that Live Art and radical performance-based practices occupy. Live Art is experiencing a huge ?surge in interest with major museums embracin...
The Crossing of Innumerable Paths
Celebrated art critic and curator, Guy Brett is a leading writer who has made a significant contribution to art criticism and curating, in particular to the development of art internationally. From the 1960s onwards he has championed influential and experimental artists across the world through some key exhibitions and publications.The fourteen essays in this book bring together a unique gathering of artists, tracing their diversity and singularity to reveal the uniqueness of each one. Many of these artists make works which arise out of their response to the situation or the environment in which they find themselves, a process that draws on the hundreds of ways people connect, the countless ...
Carnival of Perception
A distinctive voice in art criticism since the 1960s, Guy Brett has followed an independent path in mapping and interpreting contemporary art. 'Carnival of Perception' is a collection of his writings which traces the outlines of a collective reality, expressed in a play of wit and spirit.
Emotions Go to Work
Emotions Go To Work is an investigation into how technology is used to turn our feelings into valuable assets. One might call it the transformation of emotion into capital. It asks what is at stake in our relationship with the companions we call smart objects? What does the future hold in store for a world where people are treated more and more like things, while the billions of gadgets that make up the Internet of Things are increasingly anthropomorphized, granted agency? Spanning an arc of time from the 18th century to 21st century and beyond, Emotions Go To Work traces the codification and instrumentalization emotional data in ways both playful and serious. It considers the role emojis play our mental life and their potential to evolve and grow monstrous. It suggests that anthropomorphized technological creatures from early cartoons might inspire a utopian society. Proposing that the first step to re-wiring our world is to picture possibilities in games and in play, in dreams and in far-fetched fictions, so that we can begin new conversations between people and things. Hand printed 5 color Risograph artist book with two pullout pages, printed in a limited edition of 200 copies.
Human Camera
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