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Bending the Arch
In answer to Seamus Heaney's Station Island and Pablo Neruda's The Heights of Machu Picchu, Berger unmasks the worldview of westward expansion from architect Eero Saarinen's arch in St. Louis to the Golden Gate in a way that subtly and mystically taps the unconsciousness of the intended audience. When she writes "We never entered the West on bended knee," the impurity of language used in this epic creates tension between discourses and creates a charge or pressure on each sentence that pushes the reader toward declaring an allegiance. Drawing on historical documents, the Latin Mass, and multivalent voices, Berger moves through the anguish of unintended consequences and leads the reader through the "ghost dance" of feeling to the powerful Pacific Ocean, which enters human consciousness like a dream. Entangled historical memory, climate crisis, and inverse expansionism compress into a spiritual reckoning to face the world to come.
Bending the Arch
In answer to Seamus Heaney’s Station Island and Pablo Neruda’s The Heights of Machu Picchu, Berger unmasks the worldview of westward expansion from architect Eero Saarinen’s arch in St. Louis to the Golden Gate in a way that subtly and mystically taps the unconsciousness of the intended audience. When she writes “We never entered the West on bended knee,” the impurity of language used in this epic creates tension between discourses and creates a charge or pressure on each sentence that pushes the reader toward declaring an allegiance. Drawing on historical documents, the Latin Mass, and multivalent voices, Berger moves through the anguish of unintended consequences and leads the reader through the “ghost dance” of feeling to the powerful Pacific Ocean, which enters human consciousness like a dream. Entangled historical memory, climate crisis, and inverse expansionism compress into a spiritual reckoning to face the world to come.
Watershed Discipleship
This collection introduces and explores "watershed discipleship" as a critical, contextual, and constructive approach to ecological theology and practice, and features emerging voices from a generation that has grown up under the shadow of climate catastrophe. Watershed Discipleship is a "triple entendre" that recognizes we are in a watershed historical moment of crisis, focuses on our intrinsically bioregional locus as followers of Jesus, and urges us to become disciples of our watersheds. Bibliographic framing essays by Myers trace his journey into a bioregionalist Christian faith and practice and offer reflections on incarnational theology, hermeneutics, and ecclesiology. The essays featu...
Who Killed Donte Manning?
In March 2005, a nine-year-old boy was gunned down in his Columbia Heights neighborhood in Washington, D.C. The unsolved murder tore the community to its core and sets Rose Marie Berger on an exploration for the soul of our nation's capital. How can urban space be read as biblical narrative? Where do people locate themselves in urban time, space, and spirituality? Who do cities sacrifice and why? Rose Marie Berger has lived in the Columbia Heights neighborhood of Washington, D.C., since the mid-1980s. She is Associate Editor and Poetry Editor for the award-winning progressive magazine Sojourners. Berger has written on a wide range of topics related to faith, politics, and culture, and has interviewed some of the world's foremost social and political activists.
When the Sun Rose
An imaginative little girl spends a happy day with her playmate, who arrives with a pet lion.
A Women's Lectionary for the Whole Church Year B
The next installment in the critically praised lectionary series that focuses on women's stories. In this second volume of the three-volume Women's Lectionary for the Whole Church, widely praised womanist bible scholar and priest Wil Gafney selects scripture readings that emphasize women's stories. Focusing especially on the Gospel of Mark, Year B of A Women's Lectionary features Gafney's fresh, inclusive, and thought-provoking translations of every reading, alongside commentary on each reading. Designed for liturgical use or scriptural study, this resource offers a new perspective on the Bible and the liturgical year. "Gafney's paradigm-shifting scholarship will influence biblical preaching and teaching for generations to come." --National Catholic Reporter
Unsettling the Word
"For generations, the Bible has been employed by settler colonial societies as a weapon to dispossess Indigenous and racialized peoples of their lands, cultures, and spiritualties. Given this devastating legacy, many want nothing to do with it. But is it possible for the exploited and their allies to reclaim the Bible from the dominant powers? In Unsettling the Word, over 60 Indigenous and Settler authors come together to wrestle with the Scriptures, re-imagining the ancient text for the sake of reparative futures."--
Saving the Neighborhood
Saving the Neighborhood tells the charged, still controversial story of the rise and fall of racially restrictive covenants in America, and offers rare insight into the ways legal and social norms reinforce one another, acting with pernicious efficacy to codify and perpetuate intolerance. The early 1900s saw an unprecedented migration of African Americans leaving the rural South in search of better work and equal citizenship. In reaction, many white communities instituted property agreements—covenants—designed to limit ownership and residency according to race. Restrictive covenants quickly became a powerful legal guarantor of segregation, their authority facing serious challenge only in...
Choosing Peace
Contributions by leading peacemakers such as Lisa Sowle Cahill, Terrence J. Rynne, John Dear and Ken Utican, Rose Marie Berger, and Maria J. Stephan advance the conversation about the practice of nonviolence in a violent world, Jesus and nonviolence, traditional Catholic teaching on nonviolence, and reflections on the future of Catholic teaching. The book concludes with Pope Francis's historic Message for World Peace Day in 2017.
Rosemary Meets Rosemarie
For her tenth birthday, Rosemary Rita's grandmother Mimi sends her a magical hourglass, which takes Rosemary Rita back to 1870 in Germany to meet Mimi's great grandmother and help her decode a mysterious postcard.
