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Balanced between the traditional and the postmodern, Subotnik (music, Brown U.) deftly and articulately manages to use the philosophies of Kant, Adorno, Bakhtin, and Derrida to review the music of Chopin, Mozart, and Stravinksy. Her discussion of the Magic Flute brings new rigor to the more usual romantic studies, and her exposition on Allan Bloom and Spike Lee in the final essay contextualizes the deconstructive critique she employs. Annotation copyright by Book News, Inc., Portland, OR
A collection of essays, most previously published on the critical theory, aesthetics, and social historiography of western classical music since the late 1700's. Based largely on the ideas of Theodor W. Adorno. A companion volume, Deconstructionist variations, is planned. A paper edition is available (1874-7), $16.95. Annotation copyrighted by Book News, Inc., Portland, OR
Rose Subotnik criticized 'structural listening' as an attempt to situate musical meaning solely within the unfolding of the musical structure itself. The authors of this volume take up her challenge, writing on repertoires ranging from Beethoven to MTV.
Theodor W. Adorno placed music at the centre of his critique of modernity and broached some of the most important questions about the role of music in contemporary society. One of his central arguments was that music, through the manner of its composition, affected consciousness and was a means of social management and control. His work was primarily theoretical however, and because these issues were never explored empirically his work has become sidelined in current music sociology. This book argues that music sociology can be greatly enriched by a return to Adorno's concerns, in particular his focus on music as a dynamic medium of social life. Intended as a guide to 'how to do music sociology' this book deals with critical topics too often sidelined such as aesthetic ordering, cognition, the emotions and music as a management device and reworks Adorno's focus through a series of grounded examples.
This provocative volume of essays is now available in paperback. The contributors to this volume - musicologists, sociologists, cultural theorists - all challenge the view that music occupies an autonomous aesthetic sphere. Recently, socially and politically grounded enterprises such as feminism, semiotics and deconstruction have effected a major transformation in the ways in which the arts and humanities are studied, leading in turn to a systematic investigation of the implicit assumptions underlying the critical methods of the last two hundred years. Influenced by these approaches, the writers here question a prevailing ideology that insists there is a division between music and society and examine the ways in which the two do in fact interact and mediate one another within and across socio-cultural boundaries.
"A book of landmark importance. It is unprecedented in its design: a brilliantly selected group of essays on music coupled with lucid, deeply incisive, and in every way masterly analysis of Adorno's thinking about music. No one who studies Adorno and music will be able to dispense with it; and if they can afford only one book on Adorno and music, this will be the one. For in miniature, it contains everything one needs: a collection of exceptionally important writings on all the principal aspects of music and musical life with which Adorno dealt; totally reliable scholarship; and powerfully illuminating commentary that will help readers at all levels read and re-read the essays in question."â...
My Sister's Eyes recounts a Jewish family's perilous flight from the Nazis to freedom in the United States during the Holocaust, as well as the heroic act of Aristides de Sousa Mendes, severely punished by his government for issuing thousands of visas to safe-haven in Portugal in 1940. Abundantly illustrated. Recommended for ages 12-16.
A landmark work from the founder of the Frankfurt School. A key work in the study of Adorno, of interest to students and general readers alike.
This anthology brings together representative examples of the most significant and engaging scholarly writing on Chopin by a wide range of authors. The essays selected for the volume portray a rounded picture of Chopin as composer, pianist and teacher of his music, and of his overall achievement and legacy. Historical perspectives are offered on Chopin’s biography ’as cultural discourse’, on the evolution and origins of his style, and on the contexts of given works. A fascinating contemporary overview of Chopin’s oeuvre is also provided. Seven source studies assess the status and role of Chopin’s notational practices as well as some enigmatic sketch material. Essays in the field of...