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Performance Art
First published in 1979, the latest edition of this pioneering study in "the World of Art" series surveys a full century of performance, from the Futurist manifesto of 1909 to the second decade of the new millennium. Art historian and gallery curator Rose Lee Goldberg explains how a medium once used only in sporadic outbreaks of artistic dissent has become, over the course of a century, a vital and integral part of the contemporary mainstream and a global phenomenon.
Performance Now
A landmark publication documenting the development of performance by visual artists since the turn of the twenty-first century This major survey charts the development of live art across six continents since the turn of the twenty- first century, revealing how it has become an increasingly essential vehicle for communicating ideas across the globe in the new millennium. Performance Now offers an unprecedented illustrated survey of this temporal medium which is notoriously hard to document, written by respected curator, art historian, and critic RoseLee Goldberg. Six chapters cover different themes of performance art, such as beauty, global citizenship, and activism, as well as its intersecti...
Performance
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Performance
An exploration of visual culture and live performance art by the organizer of the "Six Evenings of Performance" exhibit considers the work of such contributors as Yves Klein, Gilbert & George, and others, in a study that also considers the form's pervasiveness in popular culture and politics. Reprint.
Parts
'Parts' contains the most recent works by the New York conceptual artist, they are perfidious double portraits of pairs, where the - usually male - partner is missing. These 'half' images point out the way that women even today predominantly define themselves through their partners.
Performa 09
Provoking the future: Performa commissions -- Exalting the crowds: performance as spectacle -- The illuminating stage: performance at the edge of theater -- Simultaneous awareness: performance between screens -- The art of noises: music, radio, sound -- Lust is a force: the lust weekend -- The universe will be our vocabulary: on language -- The polyexpressive symphony: captured on film -- A slap in the face of public taste: pushing the audience -- Every generation must build its own city: the Performa hub and urban activism
Performa 11
Here is the definitive document of the Performa 11 biennial, featuring documentation by the 150 artists who took part. The book features photographs of each artist's performance by acclaimed photographer Paula Court, storyboards, sketches and scripts documenting the artists' creative processes, and ten newly commissioned essays on different themes from the biennial, including language, Russian Constructivism, Fluxus, comedy and the relationship between visual art and theater.
Everywhere and All at Once
Edited by RoseLee Goldberg. Text by RoseLee Goldberg. Contributions by Catherine Wood, Jay Sanders, Anthony Huberman, Hans Ulrich Obrist.
Performa
By RoseLee Goldberg. Photos by Paula Court. Introduction by RoseLee Goldberg. Edited by Jennifer Liese. Text by RoseLee Goldberg, Defne Ayas, Lia Gangitano, Sofia Hernandez Chong Cuy, Anthony Huberman, Lyra Kilston, Andrew Lampert, Christian Rattemeyer.
The Modern Procession
On the morning of Sunday, June 23, 2002, 100 participants gathered at The Museum of Modern Art in midtown Manhattan, along with a 12-person Peruvian brass band, and a horse, dogs, and numerous palanquins, atop which sat replicas of three masterpieces from the museum's collection--Picasso's "Les Demoiselles d'Avignon," Duchamp's ready-made "Bicycle Wheel" and a Giacometti--and a living representative of contemporary art, Kiki Smith. Three hours later they ended their procession at the museum's new temporary home, in Queens. Along the way, which ran from 11 West 53 Street, over the Queensboro Bridge, and up Queens Boulevard, the procession absorbed 100 additional participants, and enacted a very public spectacle--part saint's day procession and part secular celebration--of the museum's historic move to MoMA QNS.
