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Gender, Identity and the Body in Greek and Roman Sculpture
Gender and the Body in Greek and Roman Sculpture offers incisive analysis of selected works of ancient art through a critical use of cutting-edge theory from gender studies, body studies, art history and other related fields. The book raises important questions about ancient sculpture and the contrasting responses that the individual works can be shown to evoke. Rosemary Barrow gives close attention to both original context and modern experience, while directly addressing the question of continuity in gender and body issues from antiquity to the early modern period through a discussion of the sculpture of Bernini. Accessible and fully illustrated, her book features new translations of ancient sources and a glossary of Greek and Latin terms. It will be an invaluable resource and focus for debate for a wide range of readers interested in ancient art, gender and sexuality in antiquity, and art history and gender and body studies more broadly.
The Classical Tradition
'Reorganizes the field and challenges our preconceptions in both familiar areas and in disciplines that are not usually treated in studies on the classical tradition. A must read.' - Craig Kallendorf, Texas A&M University 'An exciting read: energetic, considered, sparklingly written. One gets the feeling that all angles have been properly covered. An ambitious project brilliantly realized.' - Matthew Bell, King's College London 'The authors have pulled off the seemingly impossible task of fusing their three voices into a single, urgently argued discourse, and for that reason among many others, this will be a wonderful book to read and to use, for all kinds of readers.' - Terence Cave, St Joh...
Lawrence Alma Tadema
The works of the late Victorian painter Lawrence Alma Tadema have recently enjoyed a revived interest. This second volume in the Getty Museum Studies on Art focuses on Spring, one of Alma Tadema’s most renowned paintings. The book is lavishly illustrated and includes many details of the painting. The author traces the history of the painting and provides an analysis of its sources, composition, and symbolism.
Dialogos
Dialogos" encompasses Greek language and literature, Greek history and archaeology, Greek culture and thought, present and past: a territory of distinctive richness and unsurpassed influence. It seeks to foster critical awareness and informed debate about the ideas, events and achievements that make up this territory, by redefining their qualities, by exploring their interconnections and by reinterpreting their significance within Western culture and beyond.
Scented Visions
Smell loomed large in cultural discourse in the late nineteenth century, thanks to the midcentury fear of miasma, the drive for sanitation reform, and the rise in artificial perfumery. Meanwhile, the science of olfaction remained largely mysterious, prompting an impulse to “see smell” and inspiring some artists to picture scent in order to better know and control it. This book recovers the substantive role of the olfactory in Pre-Raphaelite art and Aestheticism. Christina Bradstreet examines the iconography and symbolism of scent in nineteenth-century art and visual culture. Fragrant imagery in the work of John Everett Millais, Dante Gabriel Rossetti, Simeon Solomon, George Frederic Watt...
The Use of Classical Art and Literature by Victorian Painters, 1860-1912
"This book explores the reception of the classical world in painting from the mid-Victorian period to the second decade of the twentieth century and centres on an examination of oil painting exhibited at the Royal Academy of Arts"--Page [vii].
Hicksville
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Painting Antiquity
Painting Antiquity explores the archaeological dimension of the works of these three artists: in doing so, it addresses how the aesthetic engagement these artists had with ancient objects represented a unique and important development in the cultural reception of the past.
Old Age, Gender, Social Security in Africa and Europe
In the `Decade of Healthy Ageing’ (UN/WHO), this collection of essays contains interdisciplinary contributions by authors from African and European cultures who address questions about the situation of old people in the past and present, comparing the situation of men and women and focussing on their protection and care within society. While at first glance it appears that the phenomena in the `young’ African countries are completely different from those in European countries, there is a certain convergence between the continents. The challenges of migration, globalisation and the climate crisis are triggering social transformation processes that are weakening older traditions. The focus is on the dissolution of the extended family and the associated loss of the stabilising function within the framework of the so-called intergenerational contract. This development triggers crises. However, new models for organising old age are also developing. Old people are finding new ways to organise their lives.
A Companion to Ancient Aesthetics
The first of its kind, A Companion to Ancient Aesthetics presents a synoptic view of the arts, which crosses traditional boundaries and explores the aesthetic experience of the ancients across a range of media—oral, aural, visual, and literary. Investigates the many ways in which the arts were experienced and conceptualized in the ancient world Explores the aesthetic experience of the ancients across a range of media, treating literary, oral, aural, and visual arts together in a single volume Presents an integrated perspective on the major themes of ancient aesthetics which challenges traditional demarcations Raises questions about the similarities and differences between ancient and modern ways of thinking about the place of art in society
