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The sepoy revolt was among the first fully photographed wars in the history of documentary photography in India. This volume offers multiple perspectives on the Ghadar or Uprising of 1857, and deconstructs the grand narratives associated with colonial historiography. Using rare archival photographs from the Alkazi Collection, together with supplementary visual material, these essays re-evaluate the evidence and official reading of the Uprising.Linked accounts negotiate Mutiny landscapes and architecture: the internal dynamic of the rebellion decoded through topography and monuments, including memorials, cemeteries, churches and forts, as well as the sites of appalling atrocity and retributio...
Since Independence, the princes and regional rulers of India have mostly been seen as anachronistic figures, too closely associated with the former colonial government, and often a byword for extravagance, sybaritic lifestyles, and mild despotism. When in 1967 they were stripped of their privy purses by Prime Minister Indira Gandhi, there were more protests in Britain than in India. No serious efforts have been made to put these men, and a few women, in a pictorial context, to examine the differing styles of portraiture favoured by them, and the motives behind the pictures, until now. The more one gazes at these important but hitherto neglected works of art, the more questions are raised. This book attempts to answer and interpret some of them. The arrival of European painters in late 18th century India presented a new opportunity for Indian rulers to commission self-portraits of a different kind, and also to influence indigenous artists in new styles and paint mediums. The arrival of photography brought a further opportunity for them to be pictured in different ways.
The thousands of mourners who lined Wajid Ali Shah’s funeral route on 21 September, 1887, with their loud wailing and shouted prayers, were not only marking the passing of the last king but also the passing of an intangible connection to old India, before the Europeans came. This is the story of a man whose memory continues to divide opinion today. Was Wajid Ali Shah, as the British believed, a debauched ruler who spent his time with fiddlers, eunuchs and fairies, when he should have been running his kingdom? Or, as a few Indians remember him, a talented poet whose songs are still sung today, and who was robbed of his throne by the English East India Company? Somewhere between these two ex...
Story of Wajid 'Ali Shah, King of the Indian state of Oudh, who was characterized by the British as a debauched ruler who focused on his pleasures rather than ruling, but is seen by Indians as a gifted poet who was robbed of his throne by the East India Company in 1856.
Lucknow was once described as 'the last example of the old pomp and refinement of Hindustan'. Both culturally and architecturally it still remains one of the most interesting cities of North India. Besides touching on the political aspects of Nawabi rule in the province of Audh, the author discusses the ethos and architecture of Lucknow in its heyday: between the period of the first Nawab in the early eighteenth century, and the last Nawab who was deposed by the British in 1856.
A volume in the Worlds of the East India Company series, edited by Huw Bowen The events of 1857-58 in India are seen here through a series of untold stories which show that they were much more complex than hitherto thought. Drawing on sources in Britain and India, including contemporary East India Company records, together with oral memories from India illustrated with a number of nineteenth century photographs, the author tells of the murder of the British Resident in the princely state of Kotah; of Indians who opposed the Mutiny, and suffered at the hands of the "mutineers"; of a small, but significant, number of Europeans who fought with the Indians against the British; and of the infamou...
This volume offers a unique glimpse into a European household in 18th century India. Claude Martin was an entrepreneurial Frenchman who settled in Lucknow, capital of the rich Muslim state of Awadh (Oudh). The book presents the inventory of his houses here for the first time, together with the catalogue of books from his library. It gathers together six experts to examine Martin’s numerous possessions, and discuss his paintings, silverware, jewellery, textiles, weapons, carriages, boats and hot air balloons. His collection of scientific items imported from the best European instrument makers reveals his practical experiments with electricity and astronomy, while his buildings exploited hydraulic engineering to keep them cool. This book will appeal to readers fascinated by the introduction of Enlightenment ideas into post-Mughal India and the rise of a ‘common soldier’ to the highest ranks of the East India Company. Childless himself, Martin left money to found La Martinière schools in India and France.
This Book Examines Nawabi Entertainments In Lucknow, The True Story Of The Notorious `Barber Of Lucknow`, The Sad History Of European Graveyards, And The Adventures Of Indian Men And Women In 18Th And 19Th Century England.
This Reissue, With A New Preface Of The First Full, Thoroughly Researched Account Of The Life Of Claud Martin Will Captivate General Readers And Interest Historians Of The Early Days Of Empire.
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