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Introduction -- Land, looking, and futurity in the Hudson Valley -- Digging for gold : allegories of speculation on the Illinois frontier -- Picturing land and labor in the Old Northwest and New England -- Perilous prospects : speculation and landscape painting in Florida -- Painting and property on Prout's Neck -- Conclusion.
In the 150 years since the birth of the petroleum industry oil has saturated our culture, fueling our cars and wars, our economy and policies. But just as thoroughly, culture saturates oil. So what exactly is “oil culture”? This book pursues an answer through petrocapitalism’s history in literature, film, fine art, wartime propaganda, and museum displays. Investigating cultural discourses that have taken shape around oil, these essays compose the first sustained attempt to understand how petroleum has suffused the Western imagination. The contributors to this volume examine the oil culture nexus, beginning with the whale oil culture it replaced and analyzing literature and films such a...
Rendering Violence explores the problems and possibilities that the subject of political violence presented to American painters working between 1830 and 1890, a turbulent period during which common citizens frequently abandoned orderly forms of democratic expression to riot, strike, and protest violently. Examining a range of critical texts, this book shows for the first time that nineteenth-century American aesthetic theory defined painting as a privileged vehicle for the representation of political order and the stabilization of liberal-democratic life. Analyzing seven paintings by Thomas Cole, John Quidor, Nathaniel Jocelyn, George Henry Hall, Thomas Nast, Martin Leisser, and Robert Koeh...
What I didn’t know [when starting to research and write this book]: I would become full-on, hopelessly obsessed with finding out every arcane detail about the artists gathered in these pages, whether they are living or long gone. Those myriad facts are puzzle pieces that—even though some pieces are missing—form portraits of extraordinary people with a hunger for jazz and other creative artforms, a determination to overcome struggles, and a deep joy for creating profound expression. —Chris Wong, from the Preface and Introduction to Journeys to the Bandstand. Journeys to the Bandstand: Thirty Jazz Lives in Vancouver chronicles the creative lives and musical journeys of thirty extraordi...
Once each summer a morning breaks that tastes of fall. Despite a vault of unrelieved blue that promises equally unrelieved heat by late afternoon, some patch of Canadian tundra has airmailed southward a precursor of the coming season, full of sensory contradictions, like a good red wine. Tomorrow the Gulf will reassert itself, drowning the message from the cooling North, but for one morning the promise hangs there, summoning ragged, maddening memory-snippets and the bewilderment appropriate to falsely anticipating what is irretrievably past. Something about the harkening wind stitches a loop in time calling forth a history hindsight annually edits, as the forces that inform the authorship of...
This Handbook provides an in-depth analysis of the multiple ways in which oil has shaped, changed and affected international relations and global politics. Theoretically innovative, it provides new insights into the interaction between the materiality of oil and its social, economic and political manifestations.