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Wild Beyond Belief!
Exploitation filmmakers played a significant role in revolutionizing American cinema during the 1960s and early 1970s, churning out a string of independent Westerns, biker films, nudie-cuties and horror flicks in record times and often on shoestring budgets. With titles like Horror of the Blood Monsters, Cycle Savages and The Incredible 2-Headed Transplant, these films pushed the boundaries of acceptable on-screen violence and nudity and kept the American theater industry afloat as several major studios teetered on the brink of financial collapse. This work tells the story of that "other" Hollywood through interviews with 16 directors, performers, screenwriters, and stuntmen who helped bring these zero-budget films to the screen against incredible odds. The interviews give insights into exploitation filmmaking from the perspectives of pioneering directors Al Adamson and Jack Hill, actors Jenifer Bishop and Robert Dix, and stuntmen Gary Kent and Gary Littlejohn, and others. The work includes more than 50 photographs, including many rare behind-the-scenes images of the filmmakers on set.
The Dusk of the Gods
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Dusk of the Gods
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Horror Films of the 1970s
The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.
High on the Hogs
Bikers are typically portrayed on film as dangerous, rebellious outlaws. But, to be fair, they have also been portrayed as cool, philosophical thinkers and confused, sensitive hunks. American-International handled the earliest portrayals in Motorcycle Gang and Dragstrip Riot in the fifties, and then satirized them in Eric Von Ripper and his gang in the beach movies that were popular in the sixties. From then on, biker films were known for their shock value, and when they lost their shock value, they ran out of road. This filmography covers 58 biker films, and provides a synopsis, an analysis by the author, and cast and production credits for each film. Included are such films as Angel Unchained, The Angry Breed, The Born Losers, C.C. and Company, Chrome and Hot Leather, The Dirt Gang, Easy Rider, Five the Hard Way, The Hard Ride, Hell's Angels on Wheels, Hell's Chosen Few, The Limit, The Loners, The Miniskirt Mob, Motor Psycho, Outlaw Riders, Rebel Rousers, The Savage Seven, The Takers, The Wild Angels, The Wild Rebels, and Wild Riders.
On Extremity
On Extremity: From Music to Images, Words, and Experiences brings together transdisciplinary scholarship on sounds, images, words, and experiences (human and non-human) to reflect on the polysemic and polymorphic characteristics of extremity and the category of the extreme. The editors and authors aim to contribute to a living, breathing, and expanding definition of extremity that helps us understand what we gain, or lose, when we interact with it, create it, and share it with, or force it upon, others. The volume calls for the emergence of “extremity studies” as an area of perusal to help us navigate our current global condition.
Heavy Metal Music, Texts, and Nationhood
This book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance. The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour, and affirms the exclusory understandings of ‘belonging’ which have featured in the metal scenes of Norway, South Africa, and Australia. Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes. The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism.
Revisiting the Codex Buranus
Enables the less well-known aspects of the Codex Buranus to receive greater scrutiny, and bring new perspectives to bear on the more thoroughly explored parts of the manuscript. Making accessible existing discourse and encouraging fresh debates on the codex, the essays advocate fresh modes of engagement with its contents, contexts, and composition.
Voices from the Mackenzies
Re-live the experiences of the people who traveled to the distant and untouched Mackenzie Mountains of Canada’s Northwest Territories. This raw, beautiful land was opened to outfitting in 1965, when intrepid entrepreneurs carried out exploratory hunts by horse and backpack to determine whether the Mackenzies were worth an outfitting investment. Five men initially set out to build their businesses in this remote country, making a living through a lot of hard work and a little bit of luck. Guides, cooks and wranglers contributed to their success in the hunt for Dall sheep, grizzly bears, mountain caribou, mountain goats and moose. Their stories are filled with tales of animal encounters, tragedy and humour. Today, eight outfitters operate in the Mackenzie Mountains as the area remains as remote and beautiful as when the original five outfitters trekked into the area in the 1960’s. I hope you enjoy reading Voices From the Mackenzies as much as I enjoyed writing about the folks who made their living in this beautiful country.
