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"Chick Bassist is utterly savage. Lockhart's style waxes poetic as a modern Beat giving us a glimpse into Rock & Roll hell." - Laird Barron, Shirley Jackson Award-winning author of Occultation and The Croning Erin Locke, the Queen of Rock, wakes up at the crack of noon. "La Cucaracha" has infested her dream, and now echoes through her hotel room. "What the fuck is that?" Erin's voice is muffled by the thick blankets that completely cover her. Beside the lump that is Erin lies a black Ibanez bass guitar. A Heroes for Goats sticker adorns its reflective surface. Erin thrusts one arm out from beneath the blankets and fumbles for the nonexistent alarm clock. She's still slogging off fragments of...
"The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown." --H. P. LOVECRAFT, "Supernatural Horror in Literature" Howard Phillips Lovecraft forever changed the face of horror, fantasy, and science fiction with a remarkable series of stories as influential as the works of Poe, Tolkien, and Edgar Rice Burroughs. His chilling mythology established a gateway between the known universe and an ancient dimension of otherworldly terror, whose unspeakable denizens and monstrous landscapes--dread Cthulhu, Yog-Sothoth, the Plateau of Leng, the Mountains of Madness--have earned him a permanent place in the history of the macabre. In Tales of ...
The Cthulhu Mythos is one of the 20th century's most singularly recognizable literary creations. Initially created by H. P. Lovecraft and a group of his amorphous contemporaries (the so-called "Lovecraft Circle"), The Cthulhu Mythos story cycle has taken on a convoluted, cyclopean life of its own. Some of the most prodigious writers of the 20th century, and some of the most astounding writers of the 21st century have planted their seeds in this fertile soil. The Book of Cthulhu harvests the weirdest and most corpulent crop of these modern mythos tales. From weird fiction masters to enigmatic rising stars, The Book of Cthulhu demonstrates how Mythos fiction has been a major cultural meme throughout the 20th century, and how this type of story is still salient, and terribly powerful today.
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Somewhere in the mists of time, between history and hagiography, stands the great evangelist and missionary St. Patrick. Raised a "cultural Christian," Patrick's encounter with God during captivity in Ireland transformed his life and the history of a people. Freedom from slavery, and a return home to Britain, produced the divine summons--Vox Hibernia--to return to Ireland and the place of captivity in order to witness to the gospel of Jesus Christ. Christian witness in twenty-first-century Vancouver, Seattle, or Portland is a world away from fifth-century Armagh, Slane, or Cashel. Yet, the great evangelist to pre-Christian peoples of Hibernia has much to teach us as we seek to engage our sec...
When her boss tries to turn her family into a news story, a young reporter shows him a thing or two family and love in this inspirational romance. Amanda Bodine’s boss is so . . . bossy! The hard-nosed newspaperman will only assign reporter Amanda Bodine fluff pieces about dog shows. She longs to prove herself with a serious front-page story. But then her own family becomes newsworthy. Suddenly, Ross Lockhart is sitting beside her at Sunday dinner, interviewing her relatives. And he almost seems . . . like part of the family. Until she realizes he’s after information that will tarnish the Bodine name! Time to teach the boss about the real heart of the matter: love.
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There are Things - terrifying Things - whispered of in darkened forests beyond the safe comfort of firelight: The Black Guide, the Broken Ouroboros, the Pageant, Belphegor, Old Leech... These Things have always been here. They predate you. They will outlast you. This book pays tribute to those Things. For We are the Children of Old Leech... and we love you.
This work studies three twenty-first century novels by Richard Powers, Dave Eggers and Don DeLillo as representative of a new trend of US fiction concerned with the topic of the technological augmentation of the human condition. The different chapters provide, from the double perspective of the optimistic transhumanist philosophy and the more balanced approach of critical posthumanism, an overview of the narrative strategies used by the writers to explore the possibilities that biotechnology, digital technologies and cryonics open up to transcend our human limitations, while also warning their readers of their most nefarious consequences. Ultimately, the book puts forward the claim that even if the writers approach the subject from a variety of perspectives and using different narrative styles and techniques, they all share a critical posthumanist fear that an unrestrained and unquestioned use of technology for enhancement purposes may bring about disembodiment and dehumanization.