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Liminality and Critical Event Studies
This book explores and challenges the concept and experience of liminality as applied to critical perspectives in the study of events. It will be of interest to researchers in event studies, social and discursive psychology, cultural and political sociology, and social movement studies. In addition, it will provide interested general readers with new ways of thinking and reflecting on events. Contributing authors undertake a discussion of the borders, boundaries, and areas of contestation between the established social anthropological concept of liminality and the emerging field of critical event studies. By drawing these two perspectives closer together, the collection considers tensions and resonances between them, and uses those connections to enhance our understanding of both cultural and sporting events and offer fresh insight into events of activism, protest, and dissent.
Revolutionary Art and Politics in Egypt
This book examines the role of artists in Egypt during the 2011 revolution, when street art from graffiti to political murals became ubiquitous facets of revolutionary spaces. Through interviews, personal testimonies, and accounts of the lived experience of 25 street artists, the book explores the meaning of art in revolutionary political contexts, specifically by focusing on artistic production during 'liminal' moments as the events of the Egyptian revolution unfolded. The author privileges the perspective of the actors themselves to examine the ways that artists reacted to events and conceived of their art as means to further the goals of the revolution. Based on fieldwork conducted in the years since 2011, the book provides a narrative of Egyptian artists' participation in and representations of the revolution, from hopeful beginnings to the subsequent crackdown and election of al-Sisi.
An Introduction to Visual Culture
In the fully rewritten third edition of this classic text, Nicholas Mirzoeff introduces visual culture as visual activism, or activating the visible. In this view, visual culture is a practice: a way of doing, making, and seeing. The 12 new chapters begin with five foundational concepts, including Indigenous ways of seeing, visual activism in the wake of slavery, and unfixing the gaze. The second section outlines three currently successful tactics of visual activism: removal of statues and monuments; restitution of cultural property; and practices of repair and reparations. The final section addresses catastrophe and trauma, from Palestine’s Nakba to the climate disaster and the intersections of plague and war. Each section also includes new, in-depth case studies called "Visualizations," ranging from oil painting to Kongo power figures and the mediated practice of taking a knee. Engaging with questions of racializing, colonialism, and undoing gender throughout, this edition maps the activist turn in the field since 2014 and sets directions for its future expansion. This is a key text in visual culture studies and an essential resource for research and teaching in the field.
Narrating Conflict in the Middle East
The term conflict has often been used broadly and uncritically to talk about diverse situations ranging from street protests to war, though the many factors that give rise to any conflict and its continuation over a period of time vary greatly. The starting point of this innovative book is that it is unsatisfactory either to consider conflict within a singular concept or alternatively to consider each conflict as entirely distinct and unique; Narrating Conflict in the Middle East explores another path to addressing long-term conflict. The contributors set out to examine the ways in which such conflicts in Palestine and Lebanon have been and are narrated, imagined and remembered in diverse spaces, including that of the media. They examine discourses and representations of the conflicts as well as practices of memory and performance in narratives of suffering and conflict, all of which suggest an embodied investment in narrating or communicating conflict. In so doing, they engage with local, global, and regional realities in Lebanon and in Palestine and they respond dynamically to these realities.
artWORK
artWork: Art, Labour and Activism brings together a variety of perspectives on contemporary cultural production and activism in order to interrogate how the concepts of art, labour and activism intersect in practices for social change. What can we learn about contemporary art and politics by looking at the intersections between art, labour and activism? What theoretical tools can help us arrive at a deeper understanding of these intersections? In order to address these questions, this collection explores the role of art as activism, the use of social media and technology in creative production and organising, the politics of artmaking, the commodification of culture and the possibility of a creative commons, and the work of artist activists as educators. In addition to offering a variety of new perspectives from researchers and practitioners, it proposes new paths towards interdisciplinary research in this field that combine sociological, anthropological, philosophical and art theory perspectives. It will be of interest to students and scholars interested in creative labour, social movements and political arts practice.
The Syrian Conflict in the News
The Syrian conflict constitutes one of the most covered events in this century. Although the coverage of the Syrian uprising and civil war alternated between periods of saturation and silence, it is indisputable that they received an enormous amount of media attention. The Syrian Conflict in the News analyses the coverage of the Syrian conflict in the New York Times, the Washington Post, and the Wall Street Journal, focusing on how the three newspapers framed six key events in Syria from March 2011 to April 2018, including the Ghouta chemical attack, the Russian intervention in Syria and US-led airstrikes. Gabriel Huland argues that US foreign policy dominates the frames of the conflict, whi...
Revolutionary Art and Politics in Egypt
This book examines the role of artists in Egypt during the 2011 revolution, when street art from graffiti to political murals became ubiquitous facets of revolutionary spaces. Through interviews, personal testimonies, and accounts of the lived experience of 25 street artists, the book explores the meaning of art in revolutionary political contexts, specifically by focusing on artistic production during 'liminal' moments as the events of the Egyptian revolution unfolded. The author privileges the perspective of the actors themselves to examine the ways that artists reacted to events and conceived of their art as means to further the goals of the revolution. Based on fieldwork conducted in the years since 2011, the book provides a narrative of Egyptian artists' participation in and representations of the revolution, from hopeful beginnings to the subsequent crackdown and election of al-Sisi.
Critical Event Studies
Within events management, events are commonly categorised within two axes, size and content. Along the size axis events range between the small scale and local, through major events, which garner greater media interest, to internationally significant hallmark and mega events such as the Edinburgh Festival and the Tour de France. Content is frequently divided into three forms – culture, sport or business. However, such frameworks overlook and depoliticise a significant variety of events, those more accurately construed as protest. This book brings together new research and theories from around the world and across sociology, leisure studies, politics and cultural studies to develop a new cr...
Iran and the West
Since the age of the Sasanian Empire (224-651 AD), Iran and the West have time and again appeared to be at odds. Iran and the West charts this contentious and complex relationship by examining the myriad ways the two have perceived each other, from antiquity to today. Across disciplines, perspectives and periods contributors consider literary, imagined, mythical, visual, filmic, political and historical representations of the 'other' and the ways in which these have been constructed in, and often in spite of, their specific historical contexts. Many of these narratives, for example, have their origin in the ancient world but have since been altered, recycled and manipulated to fit a particular agenda. Ranging from Tacitus, Leonidas and Xerxes via Shahriar Mandanipour and Azar Nafisi to Rosewater, Argo and 300, this inter-disciplinary and wide-ranging volume is essential reading for anyone working on the complex history, present and future of Iranian-Western relations.
Governance and Domestic Policy-Making in Saudi Arabia
Saudi Vision 2030 and the National Transformation Plan 2020 are governmental initiatives to diversify Saudi Arabia's economy and implement nationwide social changes. Media and scholarly attention often describe the success or failure of these ambitious visions. This book shifts the focus to instead examine and evaluate the actual processes of domestic policymaking and governance that are being mapped out to achieve them. The book is unique in its breadth, with case studies from across different sectors including labour markets, defence, health, youth, energy and the environment. Each analyses the challenges that the country's leading institutions face in making, shaping and implementing the ...
